Category: BREAKING NEWS

Prince Mario-Max Schaumburg-Lippe: Powering Forward Together: The New York Women’s Foundation Honors Five Trailblazers at the 2025 Neighborhood Dinner

Under a canopy of light and energy at Industry City in Brooklyn, more than three hundred guests gathered for an evening that felt as vital as it was visionary. The New York Women’s Foundation hosted its 31st annual Neighborhood Dinner—an event that has long celebrated the heart of grassroots leadership—with the 2025 theme, Powering Forward, Together. The dinner was a radiant testament to the Foundation’s mission: to invest in women and gender-expansive people who are transforming their neighborhoods, and by doing so, reshaping the world.

PR Powerhouse Norah Lawlor, a powerwoman and the principal of Lawlor Media Group, always puts a focus and womens causes and gets the attention focused on the right matters.

From its first gathering in 1994, the Neighborhood Dinner has honored the bold, the compassionate, and the creative. Each year, it shines a light on the individuals who prove that community change begins at the local level, through courage, collaboration, and care. The 2025 celebration continued that legacy, bringing together an inspiring group of honorees whose work bridges the spaces between art, justice, entrepreneurship, and service.

A Night of Connection and Courage

The evening opened with a spirited panel conversation moderated by Camille Emeagwali, featuring Elizabeth Yeampierre, Executive Director of UPROSE, and Renette Bradley of Housing Justice for All. Their dialogue underscored the urgency of local action and the ways community-led leadership continues to move the city forward. As voices from Brooklyn’s most vibrant advocacy networks filled the room, it was clear that the dinner was more than an awards celebration—it was a forum for progress.

Throughout the space, art installations and performances mirrored the dynamism of the Foundation’s work. Youth artists from Ifetayo Cultural Arts Academy and viBe Theater Experience took the stage, offering movement and storytelling that captured the themes of resilience and collective strength. Catering was provided by partners from the Violence Intervention Program (VIP Mujeres), underscoring the Foundation’s practice of uplifting women-led enterprises at every level of its events.

Honoring Vision and Impact

The 2025 honorees represented the spectrum of leadership that defines New York’s most transformative women.

Linda Goode Bryant, recipient of the Neighborhood Leadership Award, was celebrated for her lifelong dedication to bridging art and social justice. Through her pioneering projects—Just Above Midtown and Project EATS—she has reimagined how creativity can feed both body and spirit, transforming vacant spaces into community farms and cultural hubs.

Lorena Kourousias, also honored with the Neighborhood Leadership Award, was recognized for her role as Executive Director of Mixteca, a Brooklyn-based nonprofit serving Latinx immigrant families. Her work in education, healing, and empowerment has built pathways of belonging for thousands navigating new lives in New York City.

The Spirit of Entrepreneurship Award was presented to Luisa Navarro, a journalist and creative entrepreneur whose company Mexico In My Pocket celebrates Mexican heritage through storytelling, commerce, and community events. Navarro’s vision is not only an homage to cultural identity but a blueprint for how small businesses can sustain local economies and cultural pride.

The Lifetime Achievement Award went to Stacey Cumberbatch, whose three-decade career in public service and philanthropy has shaped New York City’s systems of equity and access. Her leadership—spanning City Hall, nonprofits, and advisory boards—has continually emphasized the importance of representation and collaboration in civic progress.

Also recognized was Brennan Gang, whose leadership at the Korean American Community Foundation has elevated immigrant voices and strengthened the national nonprofit network. Her work reflects the Foundation’s own belief in connection as the cornerstone of community power.

The Power of Collective Vision

At the heart of the evening stood Ana L. Oliveira, President and CEO of The New York Women’s Foundation. Her words carried the room with a sense of conviction and purpose: “Courage is as contagious as fear,” she reminded the audience, “and it is a choice which one we want to share.” Under her stewardship, the Foundation has continued to expand its impact, prioritizing community-based organizations that develop sustainable, self-determined solutions.

Co-Chairs Mary Baglivo and Danielle Moss Cox, along with Helene Banks, Michelle Henry, and Elba Montalvo of the Neighborhood Dinner Steering Committee, guided the evening with warmth and grace. Together, they honored not only the five award recipients but also the hundreds of women-led organizations that have shaped The Foundation’s story over nearly four decades.

Thirty-One Years of Transformative Giving

Since its founding in 1987, The New York Women’s Foundation has grown into one of the largest women-led grantmaking institutions in the world. To date, it has distributed more than $133 million to over 500 organizations—funding programs that address racial and gender equity, economic security, reproductive justice, and community safety. What sets the Foundation apart is its commitment to grassroots partnership: it listens first, funds locally, and amplifies the expertise of those directly shaping their communities.

The Neighborhood Dinner embodies this philosophy. Each honoree’s journey reflects the Foundation’s core belief that solutions should not be imposed from above, but cultivated from within the neighborhoods they serve. It is this approach that continues to make the Foundation’s impact both deep and enduring.

A Celebration Rooted in Brooklyn

Industry City, with its vast industrial beams and creative energy, provided an ideal setting for the 2025 dinner—a meeting ground of art, culture, and innovation. Guests mingled among installations from local artists, shared stories over dishes crafted by women-owned businesses, and celebrated the interconnectedness that defines Brooklyn’s spirit. The atmosphere was electric with possibility, the kind that lingers long after the last toast.

By night’s end, applause rang through the hall as the honorees stood together—five women from different worlds, united by their dedication to building a city where justice and opportunity are shared. Their achievements illuminated what the Foundation has long understood: when women lead, communities thrive.

As The New York Women’s Foundation continues its work across all five boroughs, the message of the evening remained clear—progress is not a solitary act but a shared movement, powered forward, together.

The New York Women’s Foundation, Ana L Oliveira, Jean Shafiroff, Linda Goode Bryant, Lorena Kourousias, Luisa Navarro, Stacey Cumberbatch, Brennan Gang, Camille Emeagwali, Elizabeth Yeampierre, Renette Bradley, Ifetayo Cultural Arts Academy, viBe Theater Experience, Violence Intervention Program, Industry City Brooklyn, Mary Baglivo, Danielle Moss Cox, Helene Banks, Michelle Henry, Elba Montalvo, Norah Lawlor, Lawlor Media Group, Gender Equity, Community Leadership, Philanthropy, Women Changemakers, Brooklyn Events, New York Nonprofits, Neighborhood Dinner, Social Justice, Economic Empowerment, Latinx Leadership, Korean American Community Foundation, Grassroots Philanthropy, Cultural Entrepreneurship, Women’s Leadership, Community Advocacy, Arts and Justice, NYC Events 2025

Prince Mario-Max Schaumburg-Lippe: A Celebration of Breakthroughs: The 28th Waxman Collaboration for a Cure, Get Your Ticket Now!

PR Mogul Norah Lawlor just updated THE charity must-attend-event of the season. On a very special autumn evening in New York, leaders in science, philanthropy, and culture will gather at Apella on East 29th Street to honor innovation, compassion, and progress at the 28th Annual Waxman Collaboration for a Cure Gala. Hosted by the Samuel Waxman Cancer Research Foundation, this year’s celebration—fittingly themed A Celebration of Breakthroughs—marks nearly three decades of relentless pursuit toward curing cancer through collaboration and scientific excellence.

Set for October 22, 2025, the evening promises to blend elegance with purpose, uniting some of the most dedicated figures in medical research and charitable giving. The Samuel Waxman Cancer Research Foundation, established with the mission to eradicate cancer by funding collaborative and cross-disciplinary research, continues to stand as one of the most respected institutions in its field. Each year, the gala becomes a cornerstone of New York’s philanthropic calendar—a convergence of visionaries, researchers, and benefactors who share the belief that progress in science begins with unity of effort.

TICKETS: https://www.waxmancancer.org/waxman-gala-tickets/

Honoring Those Who Inspire Change

This year’s honorees reflect the Foundation’s wide-reaching ethos: compassion in action, leadership through service, and brilliance in discovery.

Jean Shafiroff, philanthropist, television personality, and author, will be recognized for her tireless dedication to charitable causes and her influential role in advancing health and humanitarian initiatives across New York and beyond. Her ability to bridge social influence with sincere advocacy for the underprivileged has made her a defining figure in modern philanthropy.

Robert Wiener, Chairman Emeritus of Maxx Properties, will be celebrated for his commitment to community enrichment and long-standing support of medical and scientific advancement. A respected figure in both business and charitable circles, Wiener exemplifies the leadership that fuels the Foundation’s work—steady, generous, and transformative.

Jeff Settleman, Ph.D., Senior Vice President and Chief Scientific Director of Oncology Research and Development at Pfizer, will be honored for his groundbreaking contributions to cancer research. His career, distinguished by a rare combination of academic rigor and visionary leadership, represents the very heart of the Foundation’s mission: to turn scientific collaboration into real-world cures.

Science, Philanthropy, and the Art of Collaboration

The Samuel Waxman Cancer Research Foundation has long championed the idea that collaboration, rather than competition, is the true engine of discovery. Since its founding, it has funded researchers across leading institutions worldwide, supporting projects that push the boundaries of understanding cancer’s origins and treatments. By fostering international partnerships, the Foundation ensures that breakthroughs are shared, accelerating the collective march toward prevention and cure.

The annual Collaboration for a Cure event is not merely a gala—it is a celebration of the scientific method as a shared human endeavor. Guests who attend find themselves immersed in an evening that unites the city’s cultural vitality with the gravity of scientific purpose. The conversations are as lively as the cause is profound, as doctors, donors, and advocates exchange ideas over candlelit tables overlooking the East River.

The elegant Apella venue, with its sleek architecture and luminous views, sets the perfect tone for an evening devoted to hope and progress. A reception filled with fine cuisine, heartfelt speeches, and moments of reflection underscores the meaning behind every research grant and discovery made possible by the Foundation’s supporters.

A Legacy of Impact

For nearly half a century, the Samuel Waxman Cancer Research Foundation has built a legacy rooted in collaboration. Its researchers have contributed to major advances in understanding genetic mutations, identifying new drug targets, and pioneering early detection methods that have changed lives across the globe. Each year, the Foundation reaffirms its mission through this event, where breakthroughs are not just celebrated—they are shared.

The Waxman Collaboration for a Cure embodies the Foundation’s core philosophy: that science and compassion must move forward together. Funds raised during the evening will directly support international research collaborations, young investigator programs, and cutting-edge studies that continue to push cancer research beyond boundaries of geography and discipline.

An Evening to Remember

As guests arrive on October 22nd, the atmosphere will reflect both the gravity of purpose and the joy of achievement. Scientists will stand shoulder-to-shoulder with philanthropists, united by a common goal—to make cancer not a life sentence, but a curable condition. Throughout the evening, stories of progress will intertwine with moments of gratitude, illuminating the ongoing power of shared discovery.

By the time the night draws to a close, applause will echo not just for the honorees, but for the collective spirit that has defined twenty-eight years of collaboration. The evening will reaffirm that breakthroughs do not belong to one individual or institution—they belong to all who believe in the power of partnership.

For those who attend, the 28th Waxman Collaboration for a Cure will stand as a testament to what can be achieved when intellect meets empathy, when science meets society, and when the pursuit of knowledge meets the deepest human desire—to heal.

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Prince Mario-Max Schaumburg-Lippe: Ryan Adams Returns with Heartbreaker ’25 World Tour

A quarter century after the release of Heartbreaker, Ryan Adams returns to the stage with a world tour celebrating the album that redefined modern Americana. On October 22, 2025, the acclaimed singer-songwriter begins a new chapter, revisiting the raw, heartfelt collection that first introduced his unmistakable blend of rock, country, and poetic melancholy to audiences worldwide.

For Adams, whose career spans more than three decades and more than thirty studio albums, the Heartbreaker ’25 World Tour is both a retrospective and a revival. When the record was released in 2000, it captured a restless new voice in American songwriting—a voice unafraid of vulnerability, steeped in heartbreak, and searching for redemption in melody. Today, that same voice returns with a sense of experience and endurance, richer from years of creative evolution.

A Milestone in Modern Songcraft

Heartbreaker was a debut that shifted the landscape of alt-country and indie rock. Recorded in Nashville and steeped in the intimacy of confessional storytelling, its songs—such as “Oh My Sweet Carolina” and “Come Pick Me Up”—blended folk sincerity with rock edge, setting a new standard for emotional candor in songwriting. Critics hailed it as an instant classic, a record that distilled longing and loss into something luminous.

Adams’s next album, Gold (2001), expanded that universe, featuring the anthem “New York, New York,” a song that resonated deeply with listeners in the wake of a changing world. From there, he carved an unpredictable and prolific path—releasing albums that explored the vast terrain of human emotion. His catalog ranges from the electrified urgency of Rock N Roll to the introspective tenderness of Love Is Hell and the refined warmth of Ashes & Fire.

The Stage Beckons Again

The Heartbreaker ’25 World Tour brings Adams’s music back to its most natural setting: the stage. Fans can expect performances that are as stripped-down as they are passionate, revisiting the songs that first earned him acclaim while offering fresh interpretations shaped by time and perspective. Each concert promises a return to storytelling in its purest form—a dialogue between artist and audience, carried by the weight of shared memory.

Adams’s live shows have long been revered for their emotional immediacy. Whether he stands alone with a guitar beneath a single spotlight or leads a full band through roaring crescendos, he inhabits every lyric with authenticity. On this anniversary tour, that connection deepens, as the material of Heartbreaker—once written from the vantage point of youthful heartbreak—meets the wisdom of years.

An Evening at the Hawaii Theatre Center

In celebration of the tour’s kickoff season, the historic Hawaii Theatre Center in Honolulu welcomes Adams alongside a lineup of remarkable October performances that underscore the theater’s diverse artistic spirit. From Mysteries of Hawai‘i: HSO Hapa Halloween, where master storyteller Lopaka Kapanui spins ghostly island tales, to the elegance of violin virtuoso Anne Akiko Meyers performing Blue Electra, the month’s calendar captures the breadth of creativity that defines the venue.

Later in the month, the immersive production 1706: It’s Showtime – Theatrical Horror Experience transforms the stage into a world of illusion and suspense, proving that the Hawaii Theatre remains one of the Pacific’s most dynamic cultural destinations.

As Adams’s concert approaches, anticipation builds for what promises to be a defining performance in the theater’s season—a night of music that feels both timeless and newly alive.

A Legacy of Emotion and Craft

Few artists have sustained such creative velocity while maintaining the emotional clarity that first endeared them to listeners. Ryan Adams’s work, spanning rock, country, and folk, has remained unflinchingly personal. His lyrics continue to navigate heartbreak and hope, solitude and resilience, crafting emotional landscapes that feel universal in their intimacy.

The Heartbreaker ’25 World Tour not only celebrates a milestone album—it affirms the endurance of an artist whose catalog has become part of the modern American songbook. For fans who first fell in love with his music two decades ago, these performances will be a reunion with a soundtrack to their own memories. For new listeners, it is an invitation to discover the timeless power of his voice and vision.

As the final chords echo beneath the ornate arches of the Hawaii Theatre Center, one truth will linger: Heartbreaker endures because it speaks to the fragile, resilient heart of humanity. Twenty-five years on, Ryan Adams still finds new ways to tell that story, one song at a time.

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Prince Mario-Max Schaumburg-Lippe: HM&C Marks Five Years of Vision and Vanguard Art in New York

A crisp October morning at 47 East 64th Street promises to be one of celebration and reflection as HM&C marks its fifth anniversary—a milestone that encapsulates five remarkable years of curatorial integrity, global dialogue, and unwavering dedication to Latin American and transnational art. On Thursday, October 23rd, the gallery opens its doors to collectors, artists, and friends with morning coffee at 10:30 a.m., guided tours throughout the day, and a celebratory toast at 3:30 p.m., honoring a journey that has helped redefine the voice of contemporary art in New York.

Since its founding in October 2020, HM&C has become a haven for artistic intellect, bridging histories and geographies through a refined yet fearless program. The gallery’s debut exhibition, Freddy Rodríguez: Early Paintings 1970–1990, set the tone for what would become its enduring philosophy: an embrace of aesthetic precision balanced with profound cultural narrative.

From Origins to Legacy

The inaugural exhibition explored Rodríguez’s expansive approach to color, geometry, and identity. Born in the Dominican Republic and rooted in New York’s artistic avant-garde, Rodríguez created works that navigated the intersections of abstraction and diaspora. His paintings—particularly from the Paradise and Cimarrón series—reflected both formal sophistication and emotional depth. The exhibition revealed the multifaceted practice of an artist who redefined modernism from a Caribbean perspective.

Rodríguez’s inclusion in the permanent collection of the Whitney Museum of American Art in 2021 cemented his place in American art history. His painting Y me quedé sin nombre (1974) became the first work by a Dominican-born New York artist to enter the Whitney’s collection, signaling a long-overdue acknowledgment of his contributions. Following his passing in 2022, HM&C continues to celebrate his legacy through its Study Room and forthcoming solo exhibition in Spring 2026, ensuring that his voice continues to resonate through new generations of viewers and scholars.

Expanding the Horizon

As HM&C’s curatorial reach grew, so did its presence on the international art stage. In 2022, the gallery presented Priscilla Monge: In Focus at The Armory Show in New York, introducing a new audience to the Costa Rican artist’s hauntingly poetic investigations of morality, violence, and nature. Monge’s series of large-scale polaroid-inspired works, veiled in vibrant green, questioned the boundaries between concealment and revelation, nature and human intervention. Her inclusion underscored HM&C’s commitment to artists whose work confronts contemporary realities with conceptual rigor and emotional precision.

This project built on HM&C’s ability to frame Central American and Latin American perspectives within the broader context of postwar discourse. By presenting Monge’s work alongside global dialogues of memory, identity, and gender, the gallery solidified its reputation as a bridge between regions and generations of thought-provoking artistry.

A Presence in the Canon

In 2024, HM&C achieved another milestone when MoMA acquired Mixed Statement (1984) by Puerto Rican artist Juan Sánchez. This seminal work, composed of oil, photo collage, and mixed media, confronts the complexities of Puerto Rican identity and U.S. colonialism. Layers of imagery—ranging from the Puerto Rican flag and Taíno symbols to Catholic iconography—create a dense and personal visual language of resistance and belonging. Sánchez, born in Brooklyn to Puerto Rican parents, continues to serve as both artist and activist, his art a forceful testimony of visibility for those navigating the hyphen between cultures.

Standing beside the work at MoMA, Sánchez and HM&C Director Isabella Hutchinson marked the acquisition as a collective triumph—not only for the artist but for all who believe that art has the power to record, question, and transform.

Honoring Raquel Rabinovich

Among the most poignant moments in HM&C’s history has been its partnership with the late Raquel Rabinovich (1929–2025). The Argentine-born artist, whose practice spanned over six decades, embodied the gallery’s dedication to introspection and timeless inquiry. HM&C presented two solo exhibitions, Portals (2021) and Avatars (2025), the latter marking the final show Rabinovich attended before her passing. Her meditative works—steeped in light, silence, and the metaphysical—remain central to the gallery’s program.

As HM&C transitions to become the sole global representative of the Raquel Rabinovich Estate, a major exhibition celebrating her life and legacy is scheduled for early 2026. This commitment reflects the gallery’s devotion to preserving artistic heritage while encouraging contemporary engagement with enduring ideas.

Five Years of Discovery

From its stately Upper East Side townhouse, HM&C has evolved into a meeting point for curators, collectors, and scholars. The gallery’s Study Room, a dedicated space for research and viewing, exemplifies its intellectual depth. Beyond its exhibitions, HM&C has built a reputation for fostering cross-cultural exchange and scholarly dialogue, ensuring that every artist’s narrative is contextualized within a larger framework of art history.

The gallery’s roster continues to expand, reflecting its diverse yet cohesive vision. Represented artists include Manuel Aja Espil, Catalina Chervin, Alejandro Corujeira, De Volder, Debora Hirsch, Ides Kihlen, Priscilla Monge, Juan Sánchez, and Vargas-Suarez Universal. Its represented estates—most notably those of Esteban Lisa and Raquel Rabinovich—serve as anchors of continuity, while its collaborations with artists such as Roberto Aizenberg, José Gurvich, and Joaquín Torres-García honor the lineage of modernist innovation that informs today’s dialogues.

The Celebration Continues

As the gallery prepares to raise a toast on October 23rd, its team reflects on a half-decade of art that has both honored the past and embraced the future. Guests will explore rooms filled with the stories and spirits of the artists who have shaped HM&C’s identity. Coffee will give way to conversation, and conversation to celebration—a continuum of creativity unfolding within the heart of New York’s cultural landscape.

In a city defined by reinvention, HM&C has remained steadfast in its devotion to clarity, scholarship, and beauty. Five years on, it stands not merely as a gallery but as a living dialogue between histories, visions, and voices that continue to shape the art world’s present and its possibilities.

Prince Mario-Max Schaumburg-Lippe: Assembly Member Rebecca Seawright Hosts Free Prostate Cancer Screenings with Mount Sinai

Assembly Member Seawright just sent out an email with an upmost important message THANK YOU ! A community health initiative offering no-cost prostate cancer screenings brought New Yorkers together for an important cause of prevention and awareness. Assembly Member Rebecca Seawright, in partnership with Mount Sinai’s Robert F. Smith Mobile Prostate Cancer Screening Unit, announced the return of this vital service, providing men aged 40 and above with free, confidential screenings designed to save lives through early detection.

The event takes place Wednesday, October 29, from 10 a.m. to 4 p.m. at 1485 York Avenue, between 78th and 79th Streets. No health insurance is needed, and walk-ins are welcome throughout the day. The mobile unit, operated by Mount Sinai, offers a quick and simple blood test that takes only five to six minutes. Results are typically available within two to three days, making it one of the most efficient and accessible screening opportunities available to the public.

Assembly Member Seawright’s dedication to public health has been a hallmark of her community leadership. By partnering with Mount Sinai, she continues her advocacy for preventive care and accessible medical services for all New Yorkers, regardless of income or insurance status. The initiative highlights her ongoing mission to ensure that early detection and education remain central to men’s health awareness on the Upper East Side and beyond.

Making Prevention Accessible

Prostate cancer remains the second most common form of cancer among American men, following skin cancer. Statistics underscore the importance of annual screening, particularly for men over 40 and for those with higher risk factors. Approximately one in eight American men will develop prostate cancer during their lifetime, and about one in forty will die from the disease. The numbers are even more concerning among Black men, who experience a seventy percent higher rate of developing high-risk prostate cancer and are more than twice as likely to die from it.

Events such as this one aim to close those disparities through outreach, education, and the elimination of financial barriers. By providing a completely free screening, the program encourages men who might otherwise delay care to take a proactive step toward protecting their health. The ease of access—no appointments, no paperwork, no insurance required—reflects a new model of community-centered healthcare delivery that prioritizes prevention over reaction.

A Community United in Health

Throughout the day, volunteers and healthcare professionals from Mount Sinai’s Robert F. Smith Prostate Cancer Screening Unit will be on hand to guide participants through the quick process. Their mission is not only to provide testing but also to create a supportive environment where men can learn more about the disease, risk factors, and ongoing advances in treatment.

For many residents, this event represents more than a medical opportunity—it is a symbol of care within the community. The collaboration between Mount Sinai and Assembly Member Seawright brings a sense of civic engagement and compassion to public health, reminding attendees that awareness begins at the neighborhood level.

Public health advocates have long emphasized that early screening is key to reducing mortality rates from prostate cancer. With a test that takes just a few minutes, the potential to save lives is immense. For men aged forty and above, annual screenings can mean the difference between timely treatment and late diagnosis. This initiative ensures that cost or lack of insurance will never be the barrier that prevents someone from receiving essential care.

Continuing a Lifesaving Tradition

Assembly Member Seawright’s efforts align with a broader statewide movement to make preventive care a priority. By hosting mobile units and free testing events, she continues a pattern of hands-on service that empowers citizens to take control of their health. The presence of Mount Sinai’s trusted medical professionals reinforces the event’s credibility and ensures that participants receive both accurate results and follow-up guidance.

Men who attend the screening can expect professionalism, privacy, and encouragement. Beyond the test itself, many leave with valuable information about diet, exercise, and ongoing health monitoring. These moments of engagement—personal, brief, yet deeply impactful—reflect the essence of community healthcare in action.

As the mobile unit sets up once again on York Avenue, the invitation is clear: prevention is powerful, knowledge is vital, and everyone deserves access to care. For those walking by, the blue ribbon symbolizing prostate cancer awareness serves as a gentle reminder that early detection saves lives.

For more information about this event or other community initiatives, residents are encouraged to contact Assembly Member Rebecca Seawright’s office by calling 212-288-4607 or emailing SeawrightR@NYAssembly.gov.

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Prince Mario-Max Schaumburg-Lippe: Walk, Wag, Win: ARF Hamptons Stroll to the Sea Unites Community for a Cause

East Hampton’s beloved Stroll to the Sea Dog Walk returned for its 32nd year with record-breaking attendance, radiant weather, and a joyful parade of paws and purpose.

PR Strategist Norah Lawlor brings nationwide attention to this world class idea!

The annual event, hosted by the Animal Rescue Fund of the Hamptons (ARF Hamptons), once again transformed the historic Mulford Farm into a scene of community spirit, laughter, and devotion to animal welfare.

In the soft morning light, hundreds of dogs in bandanas and bright collars gathered alongside their owners, ready to embark on the two-mile walk to Main Beach. From tiny terriers to golden retrievers, each dog seemed to embody the event’s message: compassion in motion. The day began with a flourish of energy, as designer and entertainer Isaac Mizrahi welcomed guests with his signature charm, setting a jubilant tone before the walkers took to the road.

Mulford Farm, with its rolling lawns and colonial charm, served as the heart of the celebration. Volunteers and supporters mingled among vendor tents offering everything from handcrafted leashes to gourmet treats. Local businesses and animal lovers united under one mission—to raise vital funds for ARF’s ongoing rescue and adoption programs. The atmosphere felt part carnival, part community gathering, entirely alive with the shared understanding that every step taken was a step toward a better life for countless homeless animals.

This year’s Dog Walk was ARF’s most successful yet. Executive Director Kim Nichols expressed her gratitude to the community for turning out in such extraordinary numbers. It was a morning that captured the enduring connection between people and their pets, reminding everyone that the Hamptons’ most stylish season is not only about art and fashion, but also about generosity and heart.

A Morning of Stars, Smiles, and Stories

Among the attendees were some of the East End’s most familiar faces. Isaac Mizrahi brought both flair and affection to his role as host, mingling effortlessly with participants. Notable supporters included environmental philanthropist Andy Sabin, jewelry designer Candy Udell, confectionery entrepreneur Dylan Lauren, and celebrated news anchor Chuck Scarborough with his wife Ellen. Broadway favorite David Hyde Pierce joined the gathering, adding a touch of theater-world grace to the festivities.

Photographers Lisa Tamburini and Mark Kopko captured each moment—the delighted faces of participants, the wagging tails of dogs discovering new friends, and the serene beauty of the walk’s seaside destination. From Mulford Farm’s green pastures to Main Beach’s glittering horizon, the journey became a moving tableau of devotion and joy.

At the finish line, walkers were greeted with cheers and applause as they stepped onto the sand. Dogs dashed into the surf, some leaping after tennis balls, others simply basking in the morning sun. The breeze carried the scent of the ocean and the unmistakable feeling of accomplishment. Every dollar raised and every step walked, as Kim Nichols reminded the crowd, helps give a homeless animal a second chance.

Tradition with Heart

The Stroll to the Sea Dog Walk has become a cherished Hamptons tradition since its founding in 1993. Over the decades, it has evolved from a small neighborhood event into one of the most anticipated philanthropic gatherings on Long Island. Beyond its festive charm, the event sustains ARF Hamptons’ mission of care, compassion, and community.

Founded in 1974, ARF has provided sanctuary to thousands of cats and dogs, rescuing animals from overcrowded shelters and unsafe conditions. Its adoption programs, training initiatives, and outreach services have built a lifeline of hope for both pets and the people who love them. The organization’s pet food pantry and free spay-neuter clinics for feral cats have made a lasting impact on animal welfare across the region.

Each year, the Stroll to the Sea becomes a living symbol of that work. It is a day when donors, adopters, volunteers, and staff come together not just to celebrate success, but to reaffirm a shared promise: that no animal should be forgotten.

Community in Motion

This year’s debut of a new fundraising competition added extra excitement to the morning. Teams competed to raise the most donations, earning access to limited-edition ARF merchandise created exclusively for the event. Many walkers proudly wore their prizes—a visible badge of support that shimmered as they strolled down Main Street toward the water.

At every turn, there was something to smile about. Skyler Moran, Lindsay Berman, and Patrick Christiano served as event judges, applauding creative costumes and enthusiastic walkers. Children held signs painted with paw prints, while local vendors offered organic treats for pets and humans alike. The sense of unity transcended generations, with longtime Hamptons families walking beside first-time participants who came simply to lend their hearts to a good cause.

As the crowd reached the beach, the event’s name came to life. The sea stretched wide and welcoming, a natural mirror of the community’s compassion. Dogs played freely, their joy contagious, while supporters shared stories of adoption and rescue. For many, the day was a personal celebration—of pets saved, bonds formed, and the continuing impact of ARF’s work.

When the last walkers made their way back to Mulford Farm, the morning’s glow lingered. There was laughter in the air, but also a quiet pride. The funds raised would soon translate into food, care, and love for animals still waiting for homes. It was the kind of success that cannot be measured in numbers alone, but in the wag of a tail and the warmth of belonging.

The Stroll to the Sea once again reminded the Hamptons that compassion has style, and that every season is brighter when shared with a loyal companion by one’s side.

Isaac Mizrahi, Kim Nichols, Andy Sabin, Candy Udell, Dylan Lauren, Chuck Scarborough, Ellen Scarborough, David Hyde Pierce, Barbara Washkowitz, Zach Siegel, Andrew Yuder, Majo Prazenec, Lisa McCarthy, Amy Sullivan, Michele Backman, Dale Ellen Leff, Paulo Baia, Skyler Moran, Lindsay Berman, Patrick Christiano, Norah Lawlor, Lawlor Media Group, Lisa Tamburini, Mark Kopko Photography, ARF Hamptons, Mulford Farm, Main Beach, East Hampton, Animal Rescue Fund, Dog Walk, Hamptons Events, Community Fundraising, Long Island Nonprofits, Animal Welfare, Celebrity Philanthropy, Lifestyle Events, Hamptons Society, Summer Season, Charity Walks, Dogs of the Hamptons, Coastal Living, New York Philanthropy, East End Traditions, Luxury Lifestyle, Rescue Pets, Adoption Awareness, Pet Lovers

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Prince Mario-Max Schaumburg-Lippe: Prince Mario-Max Schaumburg-Lippe in Black Tie Magazine by Star Author Rose Billings.

“Such an honor to be featured in Rose Billings amazing Black Tie International Magazine”, Prince Mario-Max states about an article in one of his favorite magazines. And it truly was a dazzling evening at MarieBelle New York celebrated Carmen Jorda, the eleventh woman to reach Formula 1, as she launched her inspiring new book On Track to Win.

Under the soft glow of SoHo’s refined lights, guests gathered at the famed chocolate salon on Broome Street, where elegance met adrenaline in a celebration of ambition and artistry. The evening, photographed by the ever-glamorous Rose Billings for Black Tie International Magazine, became a portrait of style and determination, blending the world of motorsport with the grace of New York society.

Carmen Jorda, poised and radiant, welcomed guests amid shelves of cocoa treasures and vintage Parisian décor. The launch of On Track to Win marked not just a literary debut but a celebration of perseverance and modern femininity in a world still defined by speed and precision. Her story, spanning from the roaring circuits of Europe to the sophisticated salons of Manhattan, embodies a new chapter for women in sport—a symbol of poise in pursuit of progress.

The evening’s atmosphere shimmered with conversation and curiosity. Influencers, philanthropists, and international personalities mingled as trays of delicate confections circulated through the crowd. There was an undeniable sense that this was more than a signing—it was a moment of connection between art, culture, and achievement.

Among the distinguished guests were H.H. Prince Mario-Max Schaumburg-Lippe, whose royal charm added a touch of European refinement, and Norah Lawlor, the celebrated public relations maven known for her intuitive sense of style and society. Dr. Jeffrey Bradford, another friend of the evening, added intellectual sparkle to the gathering, his presence underscoring the diverse range of Carmen’s admirers—from academia to the arts.

The Spirit of the Track Meets the Heart of the City

The choice of MarieBelle as the venue was a masterstroke. The boutique, a haven for chocolate lovers and aesthetes alike, provided a sensual backdrop to Jorda’s story of discipline and drive. The contrast between the velvety world of fine chocolate and the mechanical precision of Formula 1 created a visual metaphor for her life—a fusion of passion and performance.

Guests lingered, savoring signature hot chocolate and admiring the photographs of Carmen taken by Rose Billings. Each image captured a blend of motion and poise, the subtle strength of a woman who has mastered both the track and the red carpet. Billings’s lens has long chronicled New York’s nightlife, and this evening added another glittering chapter to her legacy of capturing society’s most radiant faces.

As the night deepened, conversations turned to inspiration. Carmen’s book drew attention not just for its behind-the-scenes look at racing but for its deeper message of resilience and reinvention. For many, the event symbolized a changing era in which glamour and grit coexist naturally, where success is defined as much by grace as by victory.

A Celebration Beyond the Page

Rose Billings’s presence was a story in itself. Her signature warmth and keen eye brought an extra layer of intimacy to the affair. Known throughout the city for her luminous portraits of New York’s elite gatherings, Billings transformed each moment into an image of quiet sophistication. Her coverage of the event for Black Tie International Magazine reflects her ongoing devotion to documenting the pulse of high society with authenticity and style.

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The synergy between Billings’s photography and Jorda’s story was unmistakable. Both women, each in her field, embody momentum—an elegant form of motion that carries their work forward with timeless energy. It was a reminder that the true essence of nightlife lies not in spectacle alone, but in the conversations and connections that unfold within it.

The guests left MarieBelle carrying signed copies of On Track to Win, their names inscribed by a woman whose journey from the pit lane to the literary world offers inspiration to dreamers across generations. The sweet aroma of chocolate lingered as a reminder of the night’s refined spirit—a blend of achievement, artistry, and warmth.

As Rose Billings’s camera captured the final smiles and farewells, the evening closed with the sense of a modern classic in motion. It was not just a book signing, but a portrait of elegance lived in real time, framed by light, laughter, and the enduring grace of New York nightlife.

Carmen Jorda, Rose Billings, Black Tie International Magazine, MarieBelle New York, Prince Mario Max Schaumburg Lippe, Norah Lawlor, Dr Jeffrey Bradford, Joyce Brooks, Black Tie Magazine TV, Society News, Celebrity Philanthropy, SoHo New York, Broome Street, On Track to Win, Formula 1, Women in Motorsports, Fashion and Society, New York Events, Book Launches, European Royals in New York, Nightlife Photography, Art and Culture, High Society Events, Elite Gatherings, Luxury Lifestyle, Manhattan Nightlife, Social Scene, Elegant Evenings, Media Personalities, International Society, Modern Women, Success Stories, Urban Elegance, Timeless Glamour, Inspirational Women, Luxury Publishing

Prince Mario-Max Schaumburg-Lippe: EHang Unveils VT35 eVTOL with 124 Miles 200 km Range and Fresh Design

A bold step into medium-range autonomous flight, combining compact form and intercity ambition

In a move that may recalibrate expectations for electric vertical takeoff and landing (eVTOL) aircraft, EHang has introduced its latest creation, the VT35, a next-generation long-range pilotless model purposed for medium- to long-distance aerial mobility. The announcement on October 13, 2025, marks the public debut of an aircraft that pushes beyond short-hop urban flights into intercity and regional connectivity.

At its heart, the VT35 carries a design range of approximately 200 kilometers (roughly 124 miles) under full load conditions. This extends its operational envelope far beyond many earlier eVTOL concepts focused solely on intraurban routes. The new model is positioned to bridge cities, cross seas or mountain ranges, and connect points that lie just beyond the reach of purely urban aviation solutions.

What distinguishes the VT35 is not just its range, but how EHang has wrapped performance in a fresh architectural approach. The aircraft adopts a lift-and-cruise layout: eight distributed lift propellers facilitate vertical ascent and descent, which then transition to cruise flight powered by a pusher propeller and conventional fixed wings. This compromise aims to reconcile VTOL capability with efficient forward flight at higher speeds. The aircraft is described as having a tandem-wing layout, lending itself to more compact dimensions and aerodynamics optimized for stability and cruise efficiency.

Physically, the VT35 measures approximately 8 meters in both length and wingspan, with a height of about 3 meters. Its maximum takeoff weight is capped at 950 kg. The design emphasizes footprint reduction and operational alignment with EHang’s existing vertiport infrastructure. One of its selling points is compatibility with EH216-S vertiports, meaning existing vertical takeoff/landing sites (rooftops, parking lots, parks, etc.) can be reused without wholesale reinvention.

EHang has also signaled its regulatory and commercialization intent. The VT35 has already completed transition flight testing, and in March 2025, the Civil Aviation Administration of China (CAAC) accepted its type certificate application. The aircraft is currently undergoing airworthiness certification. In China’s domestic market, EHang has priced the standard VT35 at RMB 6.5 million (just under one million USD in many conversion estimates).

In unveiling the VT35, EHang casts it as a bridge between urban air mobility and regional aerial transit. The company positions the aircraft as part of “one-hour air mobility living circles” connecting metropolitan clusters, bay areas, and archipelagos—bringing a layered aerial mobility network where short-range urban eVTOLs complement this new mid-range variant.

Yet the path from specification to operational reality remains steep. Certification, safety validation, reliability under real-world conditions, infrastructure integration, traffic management, battery endurance under variable loads, and public acceptance all await rigorous proof. But in the unveiling of the VT35, EHang offers a glimpse of a future in which vertical flight may not just hover above cities, but stitch them together across distances that were once the domain of cars, trains, or conventional aircraft.

The VT35 thus stands as a fresh design milestone—compact, forward-leaning, range-ambitious, and strategically placed to grow the spatial reach of urban mobility into the hinterlands. It may well become a key reference point in the ongoing evolution of aerial mobility networks.

urban air mobility, eVTOL, EHang VT35, VT35 design, long-range eVTOL, autonomous flight, China aviation, vertical takeoff, intercity air transport, advanced air mobility, low-altitude economy, VTOL aircraft, EH216-S compatibility, CAAC certification, future of transit, lift-and-cruise, tandem wing design, electric propulsion, aerial network expansion, mobility innovation, regional electric aircraft, vertiport infrastructure, eVTOL commercialization, cargo & passenger drone, aerospace startup, smart mobility, sustainable air travel

Prince Mario-Max Schaumburg-Lippe: Moda Week International Shines on “The Late Light Show

A dazzling celebration of art, style, and personality unfolds in the latest episode of The Late Light Show with Arturo de las Fuentes, spotlighting Moda Week International’s singular energy. “Thank you Esmeralda Harwood, President and CEO of Moda Week International, for putting together such an A Class event and the great Arturo de las Fuentes for his amazing show!”, H.H. Dr. Prince Mario-Max Schaumburg-Lippe states.

Episode 12, titled “The One at Moda Week,” aired on Manhattan Neighborhood Network (MNN) and captured the essence of modern luxury through a lens that blended fashion, culture, and community. The evening unfolded with a natural rhythm—an elegant balance of creative conversation, visual splendor, and the magnetic charisma of its featured guests.

Hosted by Arturo de las Fuentes, the episode brought together personalities who reflect the spirit of global style and artistic exchange. Among the evening’s highlights were appearances by Sergio Delavicci, Dr. Prince Mario-Max Schaumburg-Lippe, and Ramiliia, each adding their own presence to the evening’s refined vibrancy. The production’s tone was not just celebratory but immersive, offering viewers a sense of belonging within the world of high fashion and creative excellence.

Moda Week International has long been a cornerstone of New York’s fashion calendar, bridging the runway with lifestyle narratives that resonate far beyond the city. This collaboration with The Late Light Show elevated that mission further, showcasing the intricate dance between designer innovation and media storytelling. The camera followed the pulse of the event—the crowd’s anticipation, the shimmer of couture fabrics under the lights, and the quiet moments where artistry met authenticity.

Arturo de las Fuentes has made his name synonymous with conversation that uplifts. His show’s signature atmosphere—warm, inclusive, and subtly glamorous—gave Moda Week’s scene an added depth. Rather than relying on spectacle alone, the episode lingered on moments of connection: a smile shared between guests, a designer’s pride as their creation came to life, a collective sense that art, at its best, brings people together.

The partnership between The Late Light Show and Moda Week International also underlined how fashion events have evolved. What once lived purely on the runway now thrives through multimedia storytelling, allowing audiences around the world to experience the creative pulse of New York from their own homes. This shift expands the impact of fashion beyond trends, revealing its role as a living cultural exchange.

Throughout the episode, the synergy between host and guests underscored the show’s broader purpose—to spotlight personalities who define their fields with integrity and imagination. Viewers were treated to more than an event recap; they were invited into an unfolding story about how creativity, leadership, and collaboration shape the modern artistic landscape.

Visually, the production embraced a cinematic warmth. Lighting and composition turned casual conversation into art. Music floated in with gentle confidence, guiding viewers through each scene with subtle elegance. It was a portrait of an industry at its best—unrushed, open-hearted, and alive with possibility.

Moda Week International’s influence continues to extend far beyond its shows. Through media moments like this, its message of unity and empowerment reaches a wider audience. Every detail, from the meticulous styling to the thoughtful dialogue, reflected an understanding that true fashion is not just what one wears—it is how one moves through the world.

As The Late Light Show continues its first season, collaborations like this one affirm its growing role in connecting artistry with authenticity. The episode offered more than entertainment; it served as a reflection of where creative culture stands today—diverse, inclusive, and radiant with human expression.

In the end, The One at Moda Week captured the spirit of contemporary elegance. It wasn’t simply a showcase of garments and personalities, but a conversation about vision, connection, and the luminous energy that defines our cultural moment.

Moda Week International, The Late Light Show, Arturo de las Fuentes, Sergio Delavicci, Dr. Prince Mario Max Schaumburg Lippe, Ramiliia, MNN, Manhattan Neighborhood Network, New York Fashion Week, luxury fashion, TV talk shows, style media, creative culture, event coverage, high fashion, entertainment television, couture, design innovation, celebrity guests, cultural diplomacy, fashion events, artistic collaboration, modern elegance, fashion storytelling, multimedia fashion, global creativity

Prince Mario-Max Schaumburg-Lippe: “I AM A BARN” Sensational Don Hershman’s Solo Exhibition at Artifact Projects, NYC

“I AM A BARN” — Don Hershman’s Solo Exhibition at Artifact Projects, NYC

On Thursday, October 9, 2025, New York City will welcome a quietly powerful artistic arrival: the opening reception of I AM A BARN, a solo exhibition by Don Hershman, hosted by Artifact Projects at 155 Suffolk Street, New York, NY 10002. From 6:00 pm to 9:00 pm, guests will gather to experience Hershman’s textured, introspective barn-themed works anew, during a run that continues Wednesday through Saturday through October 26, 2025.

The Artist & His Vision

Don Hershman, based in San Francisco, lives the rare double life of podiatric surgeon and contemporary painter.  Over time, his art has come to be seen not just as an aesthetic pursuit but as a meditative practice—one that intersects identity, endurance, memory, and metaphor. He has established a reputation for works that merge texture, shadow, and structural form in expressive, subtle ways. 

In I AM A BARN, Hershman returns to a symbolic motif he has increasingly embraced: the barn. These structures—weathered, timeworn, sometimes fragile, sometimes resilient—function as mirrors of human life. In previous exhibitions (for example, at Radian Gallery in San Francisco), Hershman assembled 22 paintings on wood panels, each interpreting barns and architectural forms as embodiments of life’s trials, vulnerability, and persistence.  The barn becomes both subject and metaphor: a place that has endured storms, seasons, shifts, yet still rests in the landscape.

As Hershman himself writes, “We all weather storms in our lives, but it is how we emerge from them—weathered yet wiser, scarred but deeper, and more powerful.”

His approach to color, composition, and surface is careful and deliberate: he balances rawness and refinement, revealing cracks and blemishes without letting them overshadow quiet dignity. In doing so, Hershman invites audiences to reflect on their own journeys of erosion and regeneration.

Artifact Projects & the Significance of Place

Artifact Projects, the gallery and curatorial space facilitating this exhibition, describes itself as more than a traditional gallery: it acts as a bridge among artists, collectors, and corporations, providing curatorial, marketing, and strategic support.  Located in the Lower East Side / Chinatown border region, its Suffolk Street space offers a vibrant locus for contemporary artistic experimentation amid one of New York’s densest and most culturally layered neighborhoods.

New York has long been the world stage of art — from the Abstract Expressionists to downtown experimental practices, from gallery districts to pop-up spaces. A show like I AM A BARN may at first seem quietly introspective compared to louder avant-garde gestures, but that very subtlety is its strength: it brings tenderness, contemplation, and metaphor into a city accustomed to spectacle.

By bringing Hershman’s aesthetic voice across the country, I AM A BARN opens a dialogue: how do structures—both literal and psychic—stand up to time, change, abandonment, decay, and revival? For New York viewers, who live among crumbling facades, reclaimed lots, adaptive reuse, and fast-paced churn, this project resonates deeply.

Moreover, in situating I AM A BARN in a gallery that positions itself as curator-connector, Hershman gains a broader platform. Whether collectors, curators, architects, or passersby wander in, the show has the potential to ripple outward—into acquisition, conversation, and perhaps new commissions.

Impact & Potential Ripple Effects

1. 

Bridging Bi-Coastal Artistic Conversation

Hershman’s practice is rooted in his West Coast base, but this New York solo exhibition actively invites cross-coastal conversation. NYC audiences will have the chance to engage with a voice that is not of their immediate milieu, stimulating fresh perspectives and network connections.

2. 

Expanding Interpretive Spaces in NYC Art

Contemporary New York exhibitions often foreground identity, politics, technology, or socially driven art. Hershman’s focus on metaphor, memory, and structure provides a counterpoint—a slower, quieter language of reflection. That contrast can push curators and audiences to broaden how meaning is framed within the city’s fast-paced art ecology.

3. 

New Audiences, Collectors & Institutional Exposure

By mounting a solo show in New York, Hershman potentially gains visibility among East Coast collectors, institutional curators, and press. If the show draws well, the works may find homes in private collections or even public acquisitions. This could deepen Hershman’s presence in the national art circuit.

4. 

Neighborhood & Cultural Activation

Suffolk Street’s setting situates the exhibition within walking distance of many cultural nodes (in Lower East Side, Chinatown, LES galleries). I AM A BARN thus contributes to neighborhood vibrancy, pulling in locals, gallery visitors, and cultural tourists alike. In a city where art spaces compete for attention, a show with thematic depth and visual presence can become a talking point.

5. 

Thematic Resonance with Urban Audiences

New Yorkers are intimately acquainted with time’s passage on architecture: weathered brownstones, fire escapes, old warehouses, facades peeled by rain or neglect. Hershman’s barns may be rural in imagery, but their aging wood, shifting shadows, and quiet persistence reflect the city’s own built environment. Thus the works can catalyze introspection: What does it take to stand firm? How do surfaces bear memory? What does resilience look like in a metropolis?

What to See & Expect

Walking into I AM A BARN, one may expect:

  • An array of scales — from intimate wood panels to larger installations moving across vertical and horizontal planes.
  • Layered techniques — use of acrylic, pencil, ink, and possibly mixed media, all applied over wood (the very material that invokes barns) to highlight grain, crack, texture.
  • Subtle palettes with contrasts — hushed neutrals, muted tones, punctuated edges, fading planes, shadowy recesses.
  • Spatial resonance — the works will likely be arranged to interplay with light, shadow, and viewer movement, asking visitors to slow down, circle, step back, and step close.
  • Conceptual framing — descriptive texts, titles, or wall labels that help bridge the metaphorical reading (barn as self, memory, shelter) without overdetermining interpretation.

Because the exhibition is open just Wednesday through Saturday, and for a limited window through October 26, the opening reception is likely to be a pivotal gathering—gallery directors, critics, press, patrons, and enthusiasts all converging to mark Hershman’s arrival in New York.

In Summary

Don Hershman’s I AM A BARN marks more than a solo exhibition—it is a poetic incursion into New York’s art world, one that carries layered emotional rhythms and architectural metaphors. In bringing his barn series to Artifact Projects, Hershman offers the city’s audiences an opportunity to slow down, contemplate endurance, and find beauty even in fissure and weathering.

This is a show poised to make quiet but firm waves in New York: connecting bi-coastal networks, prompting dialogues across aesthetic registers, and embedding metaphor into urban experience. For those who come, it may be remembered as a moment when something elemental—structure, memory, resilience—spoke back to the city itself.