Prince Mario-Max Schaumburg-Lippe: Jesse Tyler Ferguson Wins the Night at the 2026 Tony Awards With Charm to Spare

Some stars arrive at the Tony Awards. Jesse Tyler Ferguson belonged there.

On Broadway’s biggest night in New York, Ferguson was one of the true standouts of the 2026 Tony Awards — gracious on the red carpet, warm with fans and fellow performers, and clearly delighted to be celebrating the theater community he loves. Television made him famous, Broadway made him family, and on this night both halves of his career were on full display.

Speaking with Times Square Chronicles during the evening, Ferguson showed exactly why he remains one of the most admired figures in entertainment. His enthusiasm for theater is the real thing — not a pose, not a soundbite. He talked about the season’s productions with the excitement of a fan and the insight of a veteran, generous toward colleagues and quick with the easy wit that has defined his public persona for years.

The 2026 Tonys celebrated a remarkable Broadway season, and Ferguson’s presence gave the night an extra spark. Whether posing for cameras, catching up with friends from the stage world, or simply soaking in the atmosphere, he carried himself with the relaxed confidence of someone who knows exactly where he fits: at the heart of American entertainment, equally at home in a sitcom living room and a Broadway house.

What sets him apart is consistency. Year after year, Ferguson shows up for the theater — not just on awards night, but as a genuine advocate for the art form. That loyalty has earned him something rarer than fame: the lasting affection of an entire industry.

By the end of the evening, one thing was clear to everyone in the room. Jesse Tyler Ferguson didn’t just attend the Tony Awards. He helped make them feel like a celebration.

Related Reading

Originally published on Times Square Chronicles.

Prince Mario-Max Schaumburg-Lippe: Why Drew Barrymore Remains Entertainment’s Brightest Light — and Margaret O’Brien Agrees

There are stars, there are icons, and then there is Drew Barrymore — a woman whose warmth and work ethic have made her one of the most genuinely beloved figures in show business.

Her daytime program, The Drew Barrymore Show, has become a model of what morning television can be at its best: funny, uplifting, full of heartfelt conversation and real human connection. Audiences don’t just tune in for the guests. They tune in for Drew — optimistic, sincere, and incapable of making anyone feel like a stranger.

At this year’s Tony Awards, she was one of the brightest lights in the room. Radiant and elegant, she moved through Broadway’s biggest night celebrating other artists with visible delight, the way she always does. It was a reminder of something the industry has known for years: Drew Barrymore’s enthusiasm for other people’s success is completely genuine.

A Theatrical Bloodline

The Barrymore connection to the stage runs deeper than most people realize, and legendary actress Margaret O’Brien — a dear friend who has known Drew all her life — can trace it personally. Decades ago, Margaret herself performed at the famed Pasadena Playhouse alongside a member of the illustrious Barrymore theatrical family, creating a living bridge between Hollywood’s golden age and one of today’s most admired stars.

That history matters. Drew carries the Barrymore name with a grace that honors what came before her while building something entirely her own.

Kindness as a Way of Working

Having watched public figures up close for many years, I can say this with confidence: Drew Barrymore approaches every project with rare professionalism and joy. Her energy lifts rooms. Her preparation is serious. Her kindness is not a performance — it’s simply who she is.

She is also a devoted animal lover, a quality that resonates deeply with Dr. Antonia Prinzessin zu Schaumburg-Lippe, a veterinarian who has spent a lifetime caring for animals. Anyone who understands the bond between people and their pets recognizes that kind of compassion immediately.

Talented, hardworking, intelligent, compassionate, and endlessly enthusiastic — Drew Barrymore is proof that success and decency can travel together. She shines on television, she shines in person, and she shines in the affection of audiences everywhere. Her star isn’t fading. If anything, it’s still rising.

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Originally published on Times Square Chronicles.

Prince Mario-Max Schaumburg-Lippe: Daniel Radcliffe, Broadway’s Best-Loved Star, Charms Everyone at the Tony Awards

If the Tony Awards had an unofficial popularity contest, Daniel Radcliffe would win it walking away.

At this year’s ceremony, the actor drew a kind of warmth from every corner of the theater — colleagues, producers, directors, audiences — that few performers ever inspire. It wasn’t just admiration for his work, though there’s plenty of that. It was something more personal: genuine affection for a man the industry has watched grow from a world-famous child star into one of its most respected stage actors.

That journey is the key to understanding Radcliffe’s standing. He could have coasted on early fame. Instead, he chose the harder road — stage roles that demanded real craft, independent films that took real risks, performances built on preparation rather than reputation. Broadway noticed. The theater community always notices who does the work.

Respect Earned, Not Given

In a business built on competition and reinvention, universal goodwill is vanishingly rare. Yet throughout the Tony Awards evening, Radcliffe’s name kept surfacing in conversations as a byword for professionalism and decency. Veterans praised him. Rising performers looked up to him. Everyone, it seemed, had a good story about him.

Part of it is how he carries himself. Decades in the public eye haven’t made him distant or guarded. He remains approachable, grounded, quick to credit collaborators — the opposite of what early fame so often produces.

But the deeper reason is artistic. Radcliffe treats acting as a discipline, not a perch. His stage performances have shown range, courage, and a willingness to be uncomfortable in pursuit of something true. Theater people revere that above all else.

At this year’s Tonys, Daniel Radcliffe was more than a celebrated actor. He was the evening’s darling — embraced by an industry that clearly treasures both his talent and his character. In a night full of stars, he was the one everyone was happiest to see.

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Originally published on Times Square Chronicles.

Prince Mario-Max Schaumburg-Lippe: Nicole Scherzinger Brings Pure Aloha Spirit to the 79th Tony Awards

She brought the aloha with her — and the 79th Tony Awards in New York City were better for it.

Nicole Scherzinger was the talked-about star of Broadway’s biggest night, and it wasn’t hard to see why. She combined genuine star power with real theatrical talent: a commanding stage presence, that remarkable voice, and the warm Hawaiian charisma that has become her signature. Her hosting work gave the evening exactly what theater fans love — style, energy, humor, and not a hint of pretense.

Her transformation from international pop star to acclaimed Broadway performer remains one of the most impressive second acts in recent entertainment history. It takes versatility to make that leap, and dedication to make it look effortless. Theatergoers have embraced her completely, and on Tony night she gave that love right back.

A Career at Its Peak

Scherzinger is riding a career high, and she knows what she wants next. In recent interviews she has spoken openly about hoping for children and a happy family — the kind of honesty that only deepens the public’s affection for her. Here’s a brilliant Hawaiian artist at the top of her game, grounded enough to say what matters most.

She deserves every bit of what’s coming. The aloha spirit isn’t just a phrase with Nicole Scherzinger — it’s a way of moving through the world, generous and radiant. On the biggest night in theater, she shared it with everyone in the room.

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Originally published on Times Square Chronicles.

Prince Mario-Max Schaumburg-Lippe: Daniel Radcliffe Takes Manhattan by Storm at Theatre Q&A Appearance

Daniel Radcliffe didn’t just visit Manhattan — he owned it.

The actor’s theatre Q&A street appearance drew exactly the kind of attention that has followed him across a remarkable career: the rare performer who grew from global fame into a respected, versatile presence on both stage and screen. Exclusive video of the appearance was shared via the publication’s Facebook reel, capturing a star entirely at ease with the city that made him prove himself.

“I love how I got invited by a fellow principal actor to set on day one filming,” Radcliffe remarked — a small, telling glimpse into a career built on collegiality rather than ego.

A City That Tests Reputations

Manhattan rewards commitment, and Radcliffe has never stopped giving it. The city doesn’t simply celebrate fame; it tests stamina, discipline, and range. For an actor known worldwide from a young age, his continued presence in New York carries special significance — proof that he’s still hungry, still curious, still working.

His career has never rested on nostalgia. Theater, independent film, television, comedy, drama, musical performance — he has pursued them all with the seriousness of an artist who puts craft above comfort. In Manhattan, that approach fits perfectly: the theater culture here values actors who show up fully, night after night, without leaning on reputation.

Greatness, Earned Nightly

What makes Radcliffe compelling is the balance of star power and restraint. Instantly recognizable, yet never untouchable. His performances suggest deep preparation and a clear understanding that longevity comes from reinvention — from treating acting as a lifelong practice rather than a fixed identity.

There’s confidence in his choices, and playfulness too: unusual projects, demanding scripts, roles requiring physicality, comic timing, emotional control, musical discipline. That range is why even fan-sized superlatives feel connected to something real.

In Manhattan, his success feels earned — belonging to an actor who grew up in public, took risks in public, and kept surprising audiences without losing the sincerity that first made him beloved.

Related Reading

Originally published on Times Square Chronicles.

Prince Mario-Max Schaumburg-Lippe: Oscars 2020 All The Winners 92nd Academy Awards

Time to celebrate. The 92nd Academy Awards are won.  The short award season started with the Golden Globes, bestowed by a group of mostly unknown international journalists that do not want to expand membership and perks to a wider selection of colleagues, in early January, showcasing frontrunners like Joaquin Phoenix, Renée Zellweger, 1917 and Parasite. The biggest talk of the fabulous 2020 Oscars upfront: How would the show work in it second consecutive hostless year? Could the first South Korean film nominated for Best Picture win? Would Netflix and Joker find continued awards-season success ?

An amazing evening with Jeff Bezos himself, including winners Phoenix and Zellweger, who both won for their lead performances, was showing once again the relevance of the awards. Hollywood based News Anchor and Royal H.H. Dr. Prince Mario-Max Schaumburg-Lippe summed up all winners and nominees of 2020.

Best Picture

Ford V Ferrari

The Irishman

Jojo Rabbit

Joker

Little Women 

Marriage Story 

1917

Once Upon a Time in Hollywood

Parasite

Korean Film Critic and ‘Parasite’ Translator Says Oscar Nomination is ‘Something Nobody Imagined’
Parasite got six nominations, becoming the first South Korean film to be nominated for both Best Picture and Best International Feature Film.

Actor in a Leading Role

Antonio Banderas, Pain and Glory

Leonardo DiCaprio, Once Upon a Time in Hollywood

Adam Driver, Marriage Story

Joaquin Phoenix, Joker

Jonathan Pryce, The Two Popes

Actress in a Leading Role

Cynthia Erivo, Harriet

Scarlett Johansson, Marriage Story

Saoirse Ronan, Little Women

Charlize Theron, Bombshell

Renée Zellweger, Judy

Actor in a Supporting Role

Tom Hanks, A Beautiful Day in the Neighborhood

Anthony Hopkins, The Two Popes

Al Pacino, The Irishman 

Joe Pesci, The Irishman

Brad Pitt, Once Upon a Time in Hollywood

Actress in a Supporting Role

Kathy Bathes, Richard Jewell

Laura Dern, Marriage Story

Scarlett Johnasson, Jojo Rabbit

Florence Pugh, Little Women

Margot Robbie, Bombshell

Directing

Martin Scorsese, The Irishman

Todd Phillips, Joker

Sam Mendes, 1917

Quentin Tarantino, Once Upon a Time in Hollywood

Bong Joon-Ho, Parasite

Costume Design

The Irishman

Jojo Rabbit

Joker

Little Women

Once Upon a Time in Hollywood

Film Editing

Ford V Ferrari

The Irishman

Jojo Rabbit

Joker

Parasite

Music (Original Score)

Joker

Little Women

Marriage Story

1917

Star Wars: The Rise of Skywalker

Short Film (Animated)

Dcera (Daughter)

Hair Love

Kitbull

Memorable

Sister

Short Film (Live Action)

Brotherhood

Nefta Football Club

The Neighbors’ Window

Saria

A Sister

Sound Editing

Ford V Ferrari

Joker

1917

Once Upon a Time in Hollywood

Star Wars: The Rise of Skywalker

Sound Mixing

Ad Astra

Ford V Ferrari

Joker

1917

Once Upon a Time in Hollywood

Animated Feature Film

How to Train Your Dragon: The Hidden World

I Lost My Body

Klaus

Missing Link

Toy Story 4

Cinematography

The Irishman

Joker

The Lighthouse

1917

Once Upon a Time in Hollywood

Documentary Feature

American Factory

The Cave

The Edge of Democracy

For Sama

Honeyland

Documentary Short Subject

In the Absence

Learning to Skateboard in a Warzone (If You’re a Girl)

Life Overtakes Me

St. Louis Superman

Walk Run Cha-Cha

International Feature Film

Corpus Christi, Poland

Honeyland, North Macedonia

Les Misérables, France

Pain and Glory, Spain

Parasite, South Korea

Makeup and Hairstyling

Bombshell

Joker

Judy

Maleficent: Mistress of Evil

1917

Music (Original Song)

“I Can’t Let You Throw Yourself Away” — Toy Story 4

“(I’m Gonna) Love Me Again” — Rocketman

“I’m Standing With You” — Breakthrough

“Into the Unknown” — Frozen II

“Stand Up” — Harriet

Visual Effects

Avengers: Endgame

The Irishman

The Lion King

1917

Star Wars: The Rise of Skywalker

Production Design

The Irishman

Jojo Rabbit

1917

Once Upon a Time in Hollywood

Parasite

Writing (Adapted Screenplay)

The Irishman

Jojo Rabbit

Joker

Little Women

The Two Popes

Writing (Original Screenplay)

Knives Out

Marriage Story

1917

Once Upon a Time in Hollywood

Parasite

Prince Mario-Max Schaumburg-Lippe: Sundance 2020 – The Winners And Nominees And Best Events

The 2020 Sundance Film Festival takes place from January 23 to February 2, 2020.
The number one event 2020 was the ECOLUXE Park City / ABC4 News Celebrity Hospitality & Media Lounge on Saturday January 25th at TEKILA Mexican Grill & Cantina in the heart of the film festival’s action by Debbie Durkin Productions, Hollywood Celebrity Prince Mario-Max Schaumburg-Lippe stated.
Worldwide press and A-list Stars descend upon Park City each January to celebrate and honor the world’s top indie filmmakers. Last January 130,000 film goers attended. We anticipate high caliber VIPS and the media who cover them to attend this years festival.
Here the best films of America:

U.S. Dramatic Competition

  • The 40-Year-Old Version by Radha Blank
  • Blast Beat by Esteban Arango
  • Charm City Kings by Angel Manuel Soto
  • Dinner in America by Adam Rehmeier
  • The Evening Hour by Braden King
  • Farewell Amor by Ekwa Msangi
  • Minari by Lee Isaac Chung
  • Miss Juneteenth by Channing Godfrey Peoples
  • Never, Rarely, Sometimes, Always by Eliza Hittman
  • Nine Days by Edson Oda
  • Palm Springs by Max Barbakow
  • Save Yourselves! by Alex Huston Fischer and Eleanor Wilson
  • Shirley by Josephine Decker
  • Sylvie’s Love by Eugene Ashe
  • Wander Darkly by Tara Miele
  • Zola by Janicza Bravo

U.S. Documentary Competition

  • Be Water by Bao Nguyen
  • Bloody Nose, Empty Pockets by Bill and Turner Ross
  • Boys State by Jesse Moss
  • Coded Bias by Shalini Kantayya
  • The Cost of Silence by Mark Manning
  • Crip Camp by Jim LeBrecht and Nicole Newnham
  • Dick Johnson Is Dead by Kirsten Johnson
  • Feels Good Man by Arthur Jones
  • The Fight by Eli Despres, Josh Kriegman and Elyse Steinberg
  • Mucho Mucho Amor by Cristina Costantini and Kareem Tabsch
  • Spaceship Earth by Matt Wolf
  • A Thousand Cuts by Ramona S. Diaz
  • Time by Garrett Bradley
  • Us Kids by Kim A. Snyder
  • Welcome to Chechnya by David France
  • Whirlybird by Matt Yoka

Premieres

  • Downhill by Nat Faxon and Jim Rash
  • Dream Horse by Euros Lyn
  • Falling by Viggo Mortensen
  • The Father by Florian Zeller
  • Four Good Days by Rodrigo García
  • The Glorias by Julie Taymor
  • Herself by Phyllida Lloyd
  • Horse Girl by Jeff Baena
  • Ironbark by Dominic Cooke
  • Kajillionaire by Miranda July
  • The Last Shift by Andrew Cohn
  • The Last Thing He Wanted by Dee Rees
  • Lost Girls by Liz Garbus
  • The Nest by Sean Durkin
  • Promising Young Woman by Emerald Fennell
  • Sergio by Greg Barker
  • Tesla by Michael Almereyda
  • Uncle Frank by Alan Ball
  • Wendy by Benh Zeitlin
  • Worth by Sara Colangelo

Documentary Premieres

  • Aggie by Catherine Gund
  • Assassins by Ryan White
  • Disclosure: Trans Lives On Screen by Sam Feder
  • The Dissident by Bryan Fogel
  • Giving Voice by James D. Stern
  • The Go-Go’s by Alison Ellwood
  • Happy Happy Joy Joy – The Ren & Stimpy Story by Ron Cicero and Kimo Easterwood
  • Natalie Wood: What Remains Behind by Laurent Bouzereau
  • Okavango: River of Dreams (Director’s Cut) by Dereck Joubert and Beverly Joubert
  • Rebuilding Paradise by Ron Howard
  • Miss Americana by Lana Wilson
  • On the Record by Kirby Dick and Amy Ziering
  • Vivos by Ai Weiwei

World Cinema Dramatic Competition

  • Charter by Amanda Kernell
  • Cuties by Maïmouna Doucouré
  • Exil by Visar Morina
  • High Tide by Verónica Chen
  • Luxor by Zeina Durra
  • Possessor by Brandon Cronenberg
  • Summer White by Rodrigo Ruiz Patterson
  • Surge by Aneil Karia
  • This Is Not a Burial, It’s a Resurrection by Lemohang Jeremiah Mosese
  • Yalda, a Night for Forgiveness by Massoud Bakhshi

World Cinema Documentary Competition

  • Acasa, My Home by Radu Ciorniciuc
  • The Earth Is Blue as an Orange by Iryna Tsilyk
  • Epicentro by Hubert Sauper
  • Influence by Diana Neille and Richard Poplak
  • Into the Deep by Emma Sullivan
  • The Mole Agent by Maite Alberdi
  • Once Upon a Time in Venezuela by Anabel Rodríguez Ríos
  • The Painter and the Thief by Benjamin Ree
  • The Reason I Jump by Jerry Rothwell
  • Saudi Runaway by Susanne Regina Meures
  • Softie by Sam Soko
  • The Truffle Hunters by Michael Dweck and Gregory Kershaw

NEXT

  • Beast Beast by Danny Madden
  • Black Bear by Lawrence Michael Levine
  • I Carry You With Me by Heidi Ewing
  • The Killing of Two Lovers by Robert Machoian
  • La Leyenda Negra by Patricia Vidal Delgado
  • The Mountains Are a Dream That Call to Me by Cedric Cheung-Lau
  • Omniboat: A Fast Boat Fantasia by The Daniels, Hannah Fidell, Alexa Lim Haas, Lucas Leyva, Olivia Lloyd, Jillian Mayer, The Meza Brothers, Terence Nance, Brett Potter, Dylan Redford, Xander Robin, Julian Yuri Rodriguez, Celia Rowlson-Hall
  • Some Kind of Heaven by Lance Oppenheim
  • Spree by Eugene Kotlyarenko
  • Summertime by Carlos López Estrada

KIDS

  • Binti by Frederike Migom
  • Come Away by Brenda Chapman
  • Timmy Failure: Mistakes Were Made by Tom McCarthy

Prince Mario-Max Schaumburg-Lippe: Grammy Nominees 2020 And Grammy Winners 2020 Full List.

Grammy Nominations 2020: See the Full List of Nominees Here And The Winners Within.

Who’s up for Album of the Year 2020, and the Record of the Year 2020, The Song of the Year 2020, and Best New Artist 2020?

The nominees for the 2020 Grammy Awards were announced by president/CEO Deborah Dugan and Academy Chair of the Board of Trustees Harvey Mason Jr. along with music legend host Alicia Keys and Bebe Rexha. Among the leading nominees are Lizzo, Billie Eilish, and Lil Nas X. Other notable nominees include Beyoncé, Lana Del Rey, Rosalía, Bon Iver, Vampire Weekend, Tyler, the Creator, Big Thief, Thom Yorke, FKA Twigs, Brittany Howard, The 1975, Steve Lacy, and others. Eilish is also the youngest artist in Academy history ever to be nominated in all four major categories (AOTY, SOTY, ROTY, and Best New Artist). The Grammys take place on January 26 at the Staples Center in Los Angeles California. Hollywood News Anchor and music producer Prince Mario-Max Schaumburg-Lippe announced: A special year for the Grammy’s, the quality of music is outstanding.

Album of the Year

Bon Iver – i,i
Lana Del Rey – Norman Fucking Rockwell!
Billie Eilish – When We All Fall Asleep, Where Do We Go?
H.E.R. – I Used to Know Her
Ariana Grande – thank u, next
Lil Nas X – 7
Lizzo – Cuz I Love You
Vampire Weekend – Father of the Bride

Record of the Year

Bon Iver – Hey, Ma
Billie Eilish – Bad Guy
Ariana Grande – 7 rings
H.E.R. – Hard Place
Khalid – Talk
Lil Nas X – Old Town Road
Lizzo – Truth Hurts
Post Malone – Sunflower

Song of the Year

Lady Gaga – Always Remember Us This Way
Billie Eilish – Bad Guy
Tanya Tucker – Bring My Flowers Now
H.E.R. – Hard Place
Taylor Swift – Lover
Lana Del Rey – Norman Fucking Rockwell
Lewis Capaldi – Someone You Loved
Lizzo – Truth Hurts

Best New Artist

Black Pumas
Billie Eilish
Lil Nas X
Lizzo
Maggie Rogers
Rosalía
Tank and the Bangas
Yola

Pop

Best Pop Solo Performance
Beyoncé – Spirit
Billie Eilish – Bad Guy
Ariana Grande – 7 rings
Lizzo – Truth Hurts
Taylor Swift – You Need to Calm Down

Best Pop Duo/Group Performance
Ariana Grande & the Social House – Boyfriend
The Jonas Brothers – Sucker
Lil Nas X – Old Town Road [ft. Billy Ray Cyrus]
Post Malone – Sunflower [ft. Swae Lee]
Shawn Mendes & Camila Cabello – Señorita

Best Pop Vocal Album
Beyoncé – The Lion King: The Gift
Billie Eilish – When We All Fall Asleep, Where Do We Go?
Ariana Grande – thank u, next
Ed Sheeran – No.6 Collaborations Project
Taylor Swift – Lover

Best Traditional Pop Vocal Album
Andrea Bocelli – Sì
Michael Bublé – Love (Deluxe Edition)
Elvis Costello & The Imposters – Look Now
John Legend – A Legendary Christmas
Barbra Streisand – Walls

Rap

Best Rap Album
Dreamville – Revenge of the Dreamers III
Meek Mill – Championships
21 Savage – I Am > I Was
Tyler, the Creator – IGOR
YBN Cordae – The Lost Boy

Best Rap Song
YBN Cordae – Bad Idea [ft. Chance the Rapper]
Rick Ross – Gold Roses [ft. Drake]
21 Savage – A Lot [ft. J. Cole]
Nipsey Hussle – Racks in the Middle [ft. Roddy Ricch and Hit-Boy]
DaBaby – Suge

Best Rap Performance
J. Cole – Middle Child
DaBaby – Suge
Dreamville – Down Bad [ft. J.I.D., Bas, J. Cole, EARTHGANG, Young Nudy]
Nipsey Hussle – Racks in the Middle [ft. Roddy Ricch and Hit-Boy]
Offset – Clout [ft. Cardi B]

Best Rap/Sung Collaboration
DJ Khaled – Higher [ft. Nipsey Hussle and John Legend]
Lil Baby and Gunna – Drip Too Hard
Lil Nas X – Panini
Mustard – Ballin [ft. Roddy Ricch]
Young Thug – The London [ft. J. Cole and Travis Scott]

Rock

Best Rock Performance
Bones UK – Pretty Waste
Gary Clark Jr. – This Land
Brittany Howard – History Repeats
Karen O & Danger Mouse – Woman
Rival Sons – Too Bad

Best Metal Performance
Candlemass – Astorolus – The Great Octopus [ft. Tony Iommi] Death Angel – Humanicide
I Prevail – Bow Down
Killswitch Engage – Unleashed
Tool – 7empest

Best Rock Song
Tool – Fear Inoculum
The 1975 – Give Yourself a Try
Vampire Weekend – Harmony Hall
Brittany Howard – History Repeats
Gary Clark Jr. – This Land

Best Rock Album
Bring Me the Horizon – amo
Cage the Elephant – Social Cues
The Cranberries – In the End
I Prevail – Trauma
Rival Sons – Feral Roots

Best Alternative Music Album
Big Thief – U.F.O.F.
James Blake – Assume Form
Bon Iver – i,i
Vampire Weekend – Father of the Bride
Thom Yorke – ANIMA

R&B

Best R&B Performance
Daniel Caesar – Love Again [ft. Brandy]
H.E.R. – Could’ve Been [ft. Bryson Tiller]
Lizzo – Exactly How I Feel [ft. Gucci Mane]
Lucky Daye – Roll Some Mo
Anderson .Paak – Come Home [ft. Andre 3000]

Best Traditional R&B Performance
Bj the Chicago Kid – Time Today
India.Arie- Steady Love
Lizzo – Jerome
Lucky Daye – Real Games
PJ Morton – Built for Love [ft. Jazmine Sullivan]

Best R&B Song
H.E.R. – Could’ve Been [ft. Bryson Tiller]
Emily King – Look At Me Now
Chris Brown – No Guidance [ft. Drake]
Lucky Daye – Roll Some Mo
PJ Morton – Say So [ft. JoJo]

Best Urban Contemporary Album
Steve Lacy – Apollo XXI
Lizzo – Cuz I Love You
Georgia Anne Muldrow – Overload
Nao – Saturn
Jessie Reyez – Being Human in Public

Best R&B Album
BJ the Chicago Kid – 1123
Lucy Daye – Painted
Ella Mai – Ella Mai
PJ Morton – Paul
Anderson .Paak – Ventura

Latin

Best Latin Rock, Urban or Alternative Album
Bad Bunny – X 100Pre
J Balvin & Bad Bunny – Oasis
Flor De Toloache – Indestructible
iLe – Almadura
Rosalía – El Mal Querer

Dance

Best Dance Recording
Bonobo – Linked
The Chemical Brothers – Got to Keep On
Medusa – Piece of Your Heart [ft. Goodboys]
RÜFÜS DU SOL – Underwater
Skrillex and Boys Noize – Midnight Hour [ft. Ty Dolla $ign]

Best Dance/Electronic Album
Apparat – LP5
The Chemical Brothers – No Geography
Flume – Hi This Is Flume (Mixtape)
RÜFÜS DU SOL – Solace
Tycho – Weather

Comedy

Best Comedy Album
Jim Gaffigan – Quality Time
Ellen DeGeneres – Relatable
Aziz Ansari – Right Now
Trevor Noah – Son of Patricia
Dave Chapelle – Sticks and Stones

Spoken Word

Best Spoken Word Album (Includes Poetry, Audio Books & Storytelling)
Various Artists – Beastie Boys Book
Michelle Obama – Becoming
Eric Alexandrakis – I.V. Catatonia: 20 Years As A Two-Time Cancer Survivor
John Waters – Mr. Know-It-All
Sekou Andrews & The String Theory – Sekou Andrews & The String Theory

Remix

Best Remixed Recording
Madonna – I Rise (Tracy Young’s Pride Intro Radio Remix)
Miley Cyrus – Mother’s Daughter (Wuki Remix)
Jorja Smith – The One (High Contrast Remix)
Mild Minds – Swim (Ford. Remix)
Marie Davidson – Work It (Soulwax Remix)

Music for Visual Media

Best Compilation Soundtrack for Visual Media
Various Artists – The Lion King: The Songs
Various Artists – Quentin Tarantino’s Once Upon a Time in Hollywood
Taron Egerton – Rocketman
Various Artists – Spider-Man: Into the Spiderverse
Lady Gaga and Bradley Cooper – A Star Is Born

Best Score Soundtrack for Visual Media
Alan Silvestri – Avengers: Endgame
Hildur Guðnadóttir – Chernobyl
Ramin Djawadi – Game of Thrones: Season 8
Hans Zimmer – The Lion King
Marc Shaiman – Mary Poppins Returns

Best Song Written for Visual Media
Chris Stapleton – The Ballad of the Lonesome Cowboy
Dolly Parton and Linda Perry – Girl in the Movies
Lady Gaga and Bradley Cooper – I’ll Never Love Again (Film Version)
Beyoncé – Spirit
Thom Yorke – Suspirium

Packaging

Best Recording Package
Voces Del Bullerengue – Anónimas & Resilientes
Chris Cornell – Chris Cornell
The Muddy Basin Ramblers – Hold That Tiger
Bon Iver – i,i
Intellexual – Intellexual

Best Boxed or Special Limited Edition Package
Thom Yorke – Anima
David Gray – Gold in Brass Age
John Coltrane – 1963: New Directions
Wilhelm Furtwängler & Berliner Philharmoniker – The Radio Recordings 1939-1945
Various Artists – Woodstock: Back to the Garden – The Definitive 50th Anniversary

Best Album Notes
The Complete Cuban Jam Sessions – Judy Cantor-Navas
The Gospel According to Malaco – Robert Maravich
Pedal Steel + Four Corners – Brendan Greaves
Pete Seeger: The Smithsonian Folkways Collection – Jeff Place
Stay ’68: A Memphis Story – Steve Greenberg

Producer

Producer of the Year, Non-Classical
Jack Antonoff
Dan Auerbach
John Hill
Finneas
Ricky Reed

Music Video/Film

Best Music Video
The Chemical Brothers – We’ve Got to Try
Gary Clark Jr. – This Land
FKA Twigs – Cellophane
Lil Nas X and Billy Ray Cyrus – Old Town Road (Official Movie)
Tove Lo – Glad He’s Gone

Best Music Film
Beyoncé – Homecoming
David Crosby – Remember My Name
Miles Davis – Birth of the Cool
Various Artists – Shangri-La
Thom Yorke – Anima

For the full list of nominees, visit Grammy.com.