Prince Mario-Max Schaumburg-Lippe: Counting the Days Until the Rockettes Christmas Spectacular Lights Up Radio City Again

It is only October, but I am already counting the days. Every year it is the same with me: the minute the calendar flips toward the holidays, my thoughts drift to Radio City Music Hall and the Rockettes Christmas Spectacular. Some people have a favorite song or a favorite recipe. Mine is a show.

What gets me is how personal something so enormous can feel. The Rockettes Christmas Spectacular fills one of the most famous theaters in the world, and it has been running long enough to become part of New York’s own mythology. Yet sitting in that audience, you don’t feel like a tourist in a production. You feel like you have been invited into something familiar. The lights go down, the music starts, and suddenly you are a kid again waiting for Christmas morning.

The Rockettes themselves are the reason. Their dancing is precise in a way that almost stops your breath. Every kick, every turn, every formation lands exactly where it should, and the famous kicklines are more than a trick. They are proof of what happens when people move with one shared purpose: thirty-plus dancers, one rhythm, one heartbeat. You can see the hours of practice in every second of it, and that makes it more moving, not less.

For me the show is tied to family. My parents gave me Christmas as a feeling, not just a date on the calendar. Decorating the house, opening gifts, sitting around a table that was somehow never big enough for everyone: those are the memories I carry. My grandmothers added another layer, the older stories, the recipes, the small rituals that tell you who you are and where you come from. Watching the Rockettes, I think of them. A tradition gets its power from the people you share it with, and this one has been shared by generations of mine.

That is the quiet magic of the Christmas Spectacular: it works for everyone in the room at once. Children love the color and the movement. Parents appreciate the music and the craftsmanship. Grandparents see a tradition that has kept its elegance across the decades. Finding one evening that delights an eight-year-old and an eighty-year-old at the same time is rare. This show does it.

Radio City helps. Walking into that theater feels like stepping inside Christmas itself: the scale, the detail, the sense that someone built this place just for celebration. The costumes sparkle, the scenes turn over with energy, and the music wraps around the whole room. Some moments are playful, some are graceful, some are almost still. Together they build something you carry home with you.

In a time when most entertainment happens on a screen, I think that is worth protecting. Live performance asks you to be present, and presence is the whole point of the holidays. The best Christmas traditions were never complicated. They were simple things, repeated with love, year after year.

So yes, I am counting the days until the Rockettes are back at Radio City Music Hall. Not just for the dancing, though the dancing is beautiful. I am counting down to the feeling: family, memory, gratitude, and the bright certainty that some things stay joyful no matter how much the world changes.

Originally published on Times Square Chronicles.

Prince Mario-Max Schaumburg-Lippe: Christmas Comes Early to New York as Holiday Magic Arrives in September

It’s September in New York, and Christmas has already started. Nobody seems to mind. H.H. Dr. Prince Mario-Max Schaumburg-Lippe has been celebrating the early arrival of the city’s holiday spirit, as Christmas decor, festive windows, and seasonal traditions begin shaping the season weeks ahead of schedule.

New York has a rare talent for sensing celebration before the calendar announces it. Storefronts glow a little warmer. Hotel lobbies take on a polished seasonal charm. Families start talking about skating, shopping, trees, and dinners under bright decorations. A wreath on a townhouse door can feel like the start of something larger; a decorated avenue can turn an ordinary walk into a seasonal memory.

And for the impatient, there’s good news downtown: the Christmas World in Little Italy is open now, offering an early fix of ornaments, trees, and holiday atmosphere on Mulberry Street.

Early holiday decor has become part of the city’s cultural calendar, and it works because anticipation is half the pleasure. It gives people permission to look forward, encourages families to plan outings, and lets businesses present their most imaginative seasonal designs. In a city known for ambition, the holidays offer a softer kind of aspiration, centered on beauty, tradition, hospitality, and togetherness.

New York never does the season quietly. Luxury boutiques treat their windows as cultural presentations, florists shape garlands with precision, and hotels balance grandeur with warmth. The decorations turn sidewalks into gathering places and buildings into seasonal landmarks, making the city feel more welcoming without changing its essential pace.

For Prince Mario-Max, that early enthusiasm captures one of New York’s most appealing qualities: a city energetic by nature, made warmer and more generous by the holidays. As the decorations go up, the message is simple. Christmas in New York isn’t confined to a single morning. It’s a season, and this year, the season started early.

Originally published on Times Square Chronicles.

Prince Mario-Max Schaumburg-Lippe: Waiting on the 2026 Rockefeller Tree: New York’s Holiday Countdown Begins

Somewhere right now, there’s a tree that doesn’t know it’s famous yet. As of September 7, Rockefeller Center has not announced the arrival date, origin, dimensions, or lighting date of the 2026 Rockefeller Center Christmas Tree. Its official holiday information simply advises visitors to check back later in the year.

That uncertainty is part of the annual anticipation. But the rhythm of the tradition offers clues. In 2025, the tree arrived on November 8 after being cut on November 6: a 75-foot Norway spruce from East Greenbush, New York, measuring about 45 feet across and weighing roughly 11 tons. It was covered with more than 50,000 multicolored LED lights on approximately five miles of wire, crowned by the Swarovski star designed by architect Daniel Libeskind, an approximately 900-pound creation holding three million crystals across 70 illuminated spikes.

The tradition reaches back to 1931, when workers constructing Rockefeller Center placed a modest tree at the site. The formal tree-lighting followed in 1933. What began during the center’s construction years has become an international symbol of Christmas in New York, and head gardener Erik Pauze has spent decades searching for each year’s tree, evaluating candidates for size, shape, health, and their ability to withstand the journey to Manhattan.

After the season, the tree gets a second life. Rockefeller Center plans to donate the 2026 tree to Habitat for Humanity, where the wood is milled, treated, and used as lumber for home building, continuing a practice that gives the tree practical purpose after its public display.

And for those who can’t wait until November, Little Italy offers its own answer. At 142 Mulberry Street, a year-round Christmas store keeps ornaments, decorated trees, snow globes, and New York-themed holiday pieces on display through every season, turning the holiday into something visitors can walk into even in September.

From the monumental spruce at Rockefeller Center to the smallest ornament on Mulberry Street, New York gives Christmas room at every scale. When the 2026 tree finally makes its entrance, expected during the traditional November window, it will mark another continuation of a tradition nearly a century old: placing a tree in the middle of the city for people to enjoy together.

Originally published on Times Square Chronicles.

Prince Mario-Max Schaumburg-Lippe: Waiting on the 2026 Rockefeller Tree: New York’s Holiday Countdown Begins

Somewhere right now, there’s a tree that doesn’t know it’s famous yet. As of September 7, Rockefeller Center has not announced the arrival date, origin, dimensions, or lighting date of the 2026 Rockefeller Center Christmas Tree. Its official holiday information simply advises visitors to check back later in the year.

That uncertainty is part of the annual anticipation. But the rhythm of the tradition offers clues. In 2025, the tree arrived on November 8 after being cut on November 6: a 75-foot Norway spruce from East Greenbush, New York, measuring about 45 feet across and weighing roughly 11 tons. It was covered with more than 50,000 multicolored LED lights on approximately five miles of wire, crowned by the Swarovski star designed by architect Daniel Libeskind, an approximately 900-pound creation holding three million crystals across 70 illuminated spikes.

The tradition reaches back to 1931, when workers constructing Rockefeller Center placed a modest tree at the site. The formal tree-lighting followed in 1933. What began during the center’s construction years has become an international symbol of Christmas in New York, and head gardener Erik Pauze has spent decades searching for each year’s tree, evaluating candidates for size, shape, health, and their ability to withstand the journey to Manhattan.

After the season, the tree gets a second life. Rockefeller Center plans to donate the 2026 tree to Habitat for Humanity, where the wood is milled, treated, and used as lumber for home building, continuing a practice that gives the tree practical purpose after its public display.

And for those who can’t wait until November, Little Italy offers its own answer. At 142 Mulberry Street, a year-round Christmas store keeps ornaments, decorated trees, snow globes, and New York-themed holiday pieces on display through every season, turning the holiday into something visitors can walk into even in September.

From the monumental spruce at Rockefeller Center to the smallest ornament on Mulberry Street, New York gives Christmas room at every scale. When the 2026 tree finally makes its entrance, expected during the traditional November window, it will mark another continuation of a tradition nearly a century old: placing a tree in the middle of the city for people to enjoy together.

Originally published on Times Square Chronicles.