Tag: Film

Prince Mario-Max Schaumburg-Lippe: Jazmin Grace Grimaldi and Prince Mario-Max Schaumburg-Lippe support Princess Grace Awards 2025

The 2025 Princess Grace Awards Honor a New Era of Artistic Excellence

A new generation of visionaries carries forward Princess Grace’s enduring legacy in theater, dance, and film.

Each autumn, the Princess Grace Foundation–USA gathers artists, patrons, and luminaries in celebration of creative achievement and timeless legacy. The 2025 Princess Grace Awards reaffirm the Foundation’s role as one of the most significant supporters of emerging talent in the performing arts, continuing a mission rooted in the ideals of Princess Grace of Monaco. Since its founding in 1982, the Foundation has recognized over nine hundred artists who have gone on to shape the cultural landscape of theater, dance, and film. This year’s honorees stand as the latest in a distinguished lineage, representing both the diversity and excellence that define the Foundation’s impact.

The Princess Grace Foundation–USA was established to carry forward Princess Grace’s belief that art, when nurtured with integrity and opportunity, holds the power to enrich lives and connect communities. That philosophy continues to guide the Foundation’s programs, grants, and mentorships, which provide vital resources to early-career artists. Under the leadership of its Board of Trustees, led by Chairman Hon. John F. Lehman and Vice Chairman Robert O. Marx, the Foundation’s work reflects a perfect balance between royal heritage and contemporary innovation. His Serene Highness Prince Albert II of Monaco, Vice Chairman of the Foundation, and Her Royal Highness The Princess of Hanover, Chairman of the Princess Grace Foundation, Monaco, maintain the direct familial connection to the legacy of Princess Grace. Their involvement, alongside Her Serene Highness Princess Stephanie of Monaco and Her Serene Highness Princess Charlene of Monaco, ensures the enduring presence of Monaco’s royal family at the heart of this philanthropic endeavor.

At the center of the Foundation’s vision stands President Diana Kemppainen, whose leadership unites tradition with modern progress. Working closely with Chief Philanthropy Officer Patricia Leonard, Chief Relationship Officer Catharina Nystrom, Grants Manager Olivia Lichens, and Philanthropy Manager Josephine Smolsky, she guides the Foundation’s programs with precision, inclusivity, and an unwavering focus on artistic excellence. Together, this leadership team ensures that each award reflects not only financial support but also the mentorship and recognition essential for a young artist’s growth.

This year’s Princess Grace Awards celebrate eighteen new Award winners and twelve Honoraria recipients across theater, dance, and film—each selected for their ability to redefine their discipline through imagination, rigor, and originality. The 2025 honorees join a legacy that includes some of the most influential artists of the past four decades, marking a new generation of voices shaping the future of performance.

At the pinnacle of recognition stands the Princess Grace Statue Award, the Foundation’s highest honor, reserved for past Award recipients who have continued to make significant contributions to their fields. In 2025, this distinction is bestowed upon ballerina Isabella Boylston and filmmaker Sky Hopinka. Boylston, originally recognized in dance in 2009, has become one of the foremost figures in contemporary ballet, while Hopinka, honored in film in 2015, has emerged as a leading voice in Indigenous cinema and experimental storytelling. Their achievements embody the Foundation’s belief in lifelong artistic evolution and the enduring impact of its support.

Theater remains one of the Foundation’s most dynamic categories, representing the power of storytelling to transform and connect. Among the 2025 honorees are Tramaine Raphael Gray of the California Institute of the Arts School of Theater, Christine Lyons of The Denyce Graves Foundation, and Germán Martinez of INTAR Theatre. Each brings a singular vision to performance, direction, and design. Dionne McClain-Freeney of Target Margin Theater and Taji Senior, nominated by Jesús I. Valles, continue the tradition of exploring identity, rhythm, and narrative through multidisciplinary approaches. The Theater Honoraria expand the scope further, honoring Hamid Dehghani, Dina El-Aziz, Maleek Rae, and Roman Sanchez for their contributions to stagecraft, costume design, and storytelling. Playwright Zoë Rhulen, recipient of the New Dramatists Playwriting Fellowship, joins this distinguished cohort with a body of work marked by clarity and emotional depth.

Dance, long a cornerstone of the Princess Grace Foundation’s mission, finds new vitality in the work of this year’s honorees. Madison Jenne’ Brown of American Ballet Theatre receives the Chris Hellman Dance Honor for her artistry and refinement, while Kayla Mak of The Juilliard School and William Okajima, nominated by Kyle Abraham, represent the next evolution of expressive movement. The Honoraria in dance celebrate Anna Mains of Charlotte Ballet and Cyrie Topete of Hubbard Street Dance Chicago, whose artistry bridges community and innovation. Choreographers Hannah Garner, Houston Thomas, and Christian A. Warner bring fresh approaches to movement and performance, joined by Marco Palomino of Visceral Dance Chicago and Ogemdi Ude of Danspace Project, whose work expands the dialogue between identity, body, and culture.

Film and animation continue to serve as platforms for new narrative and visual experimentation. Isabela Fraga-Abaza, Luke Alexander Harris, Haisi Hu, Gabriella Mykal, Philip Thompson, and Fatima Wardy lead this year’s cohort, each distinguished by their ability to explore emotion and perspective through motion and sound. Fraga-Abaza receives the Stephen Hillenburg Animation Honor, while Harris is awarded the John H. Johnson Film Honor. Gabriella Mykal, Philip Thompson, and Fatima Wardy each bring originality to contemporary storytelling, representing the breadth of voices that define today’s independent cinema. The Film Honoraria include Matt Feldman, Jared Hall, Karina Lomelin Ripper, and Loren Waters, whose works reflect themes of identity, resilience, and heritage.

Beyond the core awards, the Foundation continues to invest in its community through Special Project Grants and Artist Fellowships. The 2025 recipients—Nicole Chi Amén, Dahlak Brathwaite, Desdemona Chiang, Keerati Jinakunwiphat, Bridget L. Moore, Barkha Patel, and Sergio Mata’u Rapu—represent the Foundation’s ongoing commitment to the creation of new work. The Princess Grace Artist Fellowship, developed in partnership with MAP Fund, offers four Fellows—Chih-Jou Cheng, Roderick George, Evan Silver (also known as Tiresias), and Nesaru Tchaas—direct funding and professional development to further their artistic growth.

The Foundation’s educational mission continues through the Grace Kelly Scholarships for Thespian Excellence, presented in partnership with the Educational Theatre Foundation. These scholarships empower high school performers and designers, offering them the mentorship and support to pursue creative careers. The 2025 recipients, including Gulse Polat, Alana Rock, Nicholas Santes King, Abber Siddiqui, and Kaylah Spaulding, represent the next generation of theatrical artistry.

From its inception under the vision of Prince Rainier III and Princess Grace to its contemporary stewardship under Prince Albert II and the Foundation’s distinguished Board, the Princess Grace Foundation–USA has sustained a singular mission: to honor and nurture creative excellence. The 2025 Awards reaffirm that commitment with every artist celebrated and every performance inspired.

In every discipline, from stage to studio, the Foundation’s work continues to echo Princess Grace’s belief that art embodies humanity’s most meaningful aspirations. The 2025 Princess Grace Awards stand not only as a celebration of individual achievement but as a living tribute to the enduring power of imagination, discipline, and grace.

Princess Grace Foundation USA, Princess Grace Awards, Grace Kelly, Princess Grace of Monaco, HSH Prince Albert II, HRH The Princess of Hanover, HSH Princess Stephanie of Monaco, HSH Princess Charlene of Monaco, Diana Kemppainen, Patricia Leonard, Catharina Nystrom, Olivia Lichens, Josephine Smolsky, Isabella Boylston, Sky Hopinka, Tramaine Raphael Gray, Christine Lyons, Germán Martinez, Dionne McClain-Freeney, Taji Senior, Hamid Dehghani, Dina El-Aziz, Maleek Rae, Roman Sanchez, Zoë Rhulen, Madison Jenne’ Brown, Kayla Mak, William Okajima, Anna Mains, Cyrie Topete, Hannah Garner, Houston Thomas, Christian A. Warner, Marco Palomino, Ogemdi Ude, Isabela Fraga-Abaza, Luke Alexander Harris, Haisi Hu, Gabriella Mykal, Philip Thompson, Fatima Wardy, Matt Feldman, Jared Hall, Karina Lomelin Ripper, Loren Waters, Nicole Chi Amén, Dahlak Brathwaite, Desdemona Chiang, Keerati Jinakunwiphat, Bridget L. Moore, Barkha Patel, Sergio Mata’u Rapu, Chih-Jou Cheng, Roderick George, Evan Silver, Tiresias, Nesaru Tchaas, Gulse Polat, Alana Rock, Nicholas Santes King, Abber Siddiqui, Kaylah Spaulding, Educational Theatre Foundation, MAP Fund, American Ballet Theatre, The Juilliard School, INTAR Theatre, Target Margin Theater, The Joffrey Ballet, Danspace Project, Visceral Dance Chicago, Northlight Theatre, Noor Theatre, The Tank, CalArts, New Dramatists, Dell’Arte International, Hubbard Street Dance Chicago, performing arts philanthropy, Monaco, cultural foundation, emerging artists, artistic excellence, dance, theater, film, Princess Grace legacy, creative mentorship, nonprofit arts leadership, arts education, international arts, contemporary choreography, storytelling in film, American arts organizations

Prince Mario-Max Schaumburg-Lippe: Muvasa Is The New Lion King by Disney says H.H. Dr. Prince Mario-Max Schaumburg-Lippe

“Mufasa: The Lion King,” a highly anticipated Disney animated film, is set to roar into theaters on July 5, 2024. Serving as a prequel to the 2019 remake of “The Lion King,” this film promises to unveil the untold story of Mufasa’s journey from a young cub to the revered king of the Pride Lands.

Through the eyes of Rafiki, Timon, and Pumbaa, audiences will witness the trials and tribulations that shaped Mufasa’s character, the lessons he learned, and the profound relationships he formed along the way. The film will showcase a star-studded voice cast, including Aaron Pierre as the young Mufasa, Kelvin Harrison Jr. as Taka (who later becomes Scar),John Kani reprising his role as Rafiki, and the comedic duo of Billy Eichner and Seth Rogen as Timon and Pumbaa,respectively.

Under the visionary direction of Barry Jenkins, known for his acclaimed films “Moonlight” and “If Beale Street Could Talk,” “Mufasa: The Lion King” is poised to be a visually stunning and emotionally captivating cinematic experience.Jenkins’ signature style, known for its powerful imagery and profound exploration of human emotions, will undoubtedly bring a unique and compelling dimension to this beloved story.

While primarily a prequel, the film is also expected to offer subtle connections to the 2019 remake, shedding light on Scar’s growing resentment and the seeds of conflict that would ultimately divide the brothers. It will delve into the complex dynamics of family, the burdens of leadership, and the responsibility that comes with power.

“Mufasa: The Lion King” is more than just a prequel; it is a celebration of a legendary character and an exploration of the timeless themes that have resonated with audiences for generations. With its talented cast, visionary director, and a story that promises to be both heartwarming and heart-wrenching, this film is poised to become a treasured addition to the Disney legacy.

Prince Mario-Max Schaumburg-Lippe: IF Ryan Reynolds Super Movie by H.H. Dr. Prince Mario-Max Schaumburg-Lippe

“IF”: A Fantastical Journey That Reignites the Wonder of Childhood

John Krasinski’s latest film, “IF,” is an absolute delight, a heartwarming and visually stunning adventure that transports viewers back to the boundless imagination of their youth. From the moment the film opens, it’s clear that we’re in for something special, a cinematic experience that celebrates the power of dreams and the enduring bonds between children and their imaginary friends.

The film centers around a young boy named Charlie, who discovers a hidden world where imaginary friends (or IFs) reside when they are forgotten by their human counterparts. Led by the charismatic and energetic IF, voiced by the ever-charming Ryan Reynolds, Charlie embarks on a quest to save the IF world from a looming threat. Along the way, he learns valuable lessons about friendship, loyalty, and the importance of holding onto the childlike wonder that makes life so magical.

One of the film’s greatest strengths is its visual spectacle. The IF world is a feast for the eyes, a kaleidoscope of vibrant colors, whimsical architecture, and fantastical creatures. From the towering treehouses to the glowing waterfalls, every frame is brimming with imagination and creativity. The film’s visual effects are seamlessly integrated into the live-action,creating a truly immersive experience that will captivate audiences of all ages.

But “IF” is more than just a pretty picture. The film’s heart lies in its heartfelt story and endearing characters. Charlie is a relatable and sympathetic protagonist, and his journey of self-discovery is both inspiring and touching. The IFs, with their quirky personalities and unwavering loyalty, are sure to steal the hearts of viewers young and old. Reynolds, in particular,delivers a standout performance, infusing the IF with a contagious enthusiasm and a mischievous sense of humor.

The film’s underlying message about the importance of imagination and creativity is both timely and resonant. In a world that often prioritizes logic and practicality, “IF” reminds us of the transformative power of dreams and the joy of embracing the absurd. It’s a film that celebrates the childlike wonder that exists within all of us, encouraging us to never lose sight of the magic that makes life so extraordinary.

The film’s score, composed by Lorne Balfe, is another standout element. The music perfectly complements the film’s whimsical tone, adding an extra layer of emotional depth and resonance to the story. From the soaring melodies that accompany the film’s most breathtaking visuals to the tender themes that underscore the emotional moments, the score is a true masterpiece.

The film’s has overwhelming charm and positivity.

In conclusion, “IF” is a triumphant celebration of imagination, friendship, and the enduring power of childhood dreams.It’s a film that will leave you feeling uplifted, inspired, and eager to embrace the wonder that surrounds you. Whether you’re young or young at heart, “IF” is a must-see cinematic experience that will reignite your sense of awe and remind you of the magic that exists within all of us.

Prince Mario-Max Schaumburg-Lippe: Scoob! We Just Love Scoooooooooby-Doo …

Scoob! is the 2020 American computer-animated supernatural adventure horror mystery comedy superhit film produced by Warner Animation Group and based on Hanna-Barbera’s Scooby-Doo franchise. The film is directed by Tony Cervone from a screenplay by Adam Sztykiel, Jack Donaldson, Derek Elliott, and Matt Lieberman, and a story by Lieberman, Eyal Podell, and Jonathon E. Stewart. It stars the voices of Frank Welker as the titular character (the only member of the original cast to participate), as well as Will Forte, Gina Rodriguez, Zac Efron, and Amanda Seyfried as Shaggy, Velma, Fred and Daphne respectively, with Mark Wahlberg, Jason Isaacs, Kiersey Clemons, Ken Jeong and Tracy Morgan as other Hanna-Barbera animated characters. The film is a reboot of the Scooby-Doo film series, and it is intended to be the first installment in the Hanna-Barbera Cinematic Universe. The film’s story follows the formation of Mystery Inc., and how they are then joined by Dynomutt and Blue Falcon to solve their most challenging mystery related to the origin of Mystery Inc’s mascot in conjunction with Dick Dastardly’s plot to unleash a giant three-headed ghost dog, Cerberus.

Plans for a new Scooby-Doo theatrical film began in June 2014, when Warner Bros. announced that they would reboot the Scooby-Doo film series with an animated film. Cervone was hired to direct the film in August 2015, with Dax Shepard being brought to co-direct it in September 2016. By October 2018, Shepard was no longer a part of the project. Much of the cast was hired in March 2019, while animation services were provided by Reel FX Animation Studios.

Scoob! was originally set for a worldwide theatrical release on May 15, 2020, by Warner Bros. Pictures, making it the third theatrical film to feature the Scooby-Doo characters, after Scooby-Doo in 2002 and Scooby-Doo 2: Monsters Unleashed in 2004. In response to the COVID-19 pandemic causing theaters across the globe to close, Warner Bros. made the film available to own digitally in North America on the same date it was planned to be released in theaters. Despite receiving mixed reviews from critics, it topped the digital rental charts in its first three weekends of release. To make up for its intended worldwide theatrical release, the film was theatrically released in select international countries beginning in July 2020.

Prince Mario-Max Schaumburg-Lippe: Audrey Hepburn, The Hollywood Angel Our World Needs!

“… I’m only now becoming fully aware of how important a figure Audrey Hepburn was in her generation and for future generations.”, Rob Wolders.

Fame. Audrey Hepburn’s journey is incredibly distinctive and full of accomplishments. As her stardom grew, she was able to transform herself from a movie and a fashion icon to that of a nurturing mom and outstanding humanitarian. Audrey’s life was filled with success, loss, happiness and sadness, yet, she never allowed any of it to define her or change her moral ground.

Kindness. Unfortunately, Audrey Hepburn’s legacy is slipping away, but my desire is to ignite the sparks and influence new generations to dream, build and remain true. I want to institute in them that despite this sometimes “violent world”, we can move forward without losing ourselves, our morality and human kindness. The seeds we plant today are the gardens of tomorrow and that is the moral premise of this fable and the unforgettable Audrey!

Angst. Rob Wolders spoke of a certain existential angst she had—not about death but about life, and “living it correctly.” “You can come out of her kind of background one of two ways, hard or soft. She came out soft. She wasn’t hardened by her difficult experiences in life,” (by Roger Caras) and this is one of the most important messages that she brought to the world. She had had no huge disappointments or unfulfilled hopes. “I am the most un-bitter person in the world,” she told Rex Reed.

High chic and spirit. What exactly are those qualities that made her so unique and important? Why must new
generations cherish and follow these standards of character?
“Hepburn was first of all a human being. It was her personality more than her acting that made her a star,” said Eleanor Lambert. These are the qualities that Gregory Peck glorified: “Audrey is a magical combination of high chic and high spirits.”

Son Sean. Her son, Sean Hepburn Ferrer, said, “Mummy believed in one thing above all: She believed in love. She believed love could heal, fix, mend, and make everything fine and good in the end.”

“Hepburn as actress and woman seemed a gentle emissary from a better world than ours,” wrote Richard Corliss. “She taught, by example, what a lady was: a vessel of grace and gravity, ready wit, eldritch charm; a woman whose greatest discretion was to hide her awareness of her splendor.”

“Audrey was meek, gentle and ethereal,” said Sophia Loren, “understated both in her life and in her work. She walked among us with a light pace, as if she didn’t want to be noticed. [I regret losing her] as a friend, as a role model and as a companion of my youthful dreams.”

“I am proud to have been in a business that gives pleasure, creates beauty and awakens our conscience, arouses compassion and perhaps most importantly, gives millions a respite from our so violent world,” said Audrey Hepburn.

“She was too good for Hollywood,” said Efrem Zimbalist, Jr., “but somehow she graced it,
her life shone on it, and it became a different place while she was around.”

Submitted by out Contributor Alla Matusov.