Prince Mario-Max Schaumburg-Lippe: Other Mommy Review: Chastain’s Chilling Halloween Horror

“Can I go inside your heart?”

That is the question at the center of Other Mommy, and if it does not chill you a little, read it again slowly. Universal Pictures releases the film exclusively in theaters on October 9, and horror fans have already crowned it the Halloween season’s best bet. After watching the trailer, it is not hard to see why.

The setup

The film is adapted from Josh Malerman’s bestselling 2024 novel Incidents Around the House. Malerman wrote Bird Box, so he knows how to find the soft spot in a reader’s chest and press on it. The story follows Bela, a young girl played by Arabella Olivia Clark, who forms a bond with a supernatural entity inside her home. The entity looks uncannily like her own mother. It keeps asking to get inside her heart. What begins as an unusual friendship turns sinister as Bela realizes the presence she welcomed may be hunting her family.

Jessica Chastain plays both roles: Bela’s protective mother and the thing wearing her face. It is a dual performance built on small, awful details. Chastain has described finding the character’s unblinking smile and shaping every physical choice around what the entity would offer a lonely child: the mother Bela wishes she had. Jay Duplass plays her father, Daddo. The supporting cast includes Dichen Lachman as a paranormal scientist, Arian Moayed as a family friend, and screen legend Karen Allen, of Raiders of the Lost Ark fame, as Bela’s grandmother.

The team behind the dread

Director Rob Savage made his name with Host, the lockdown horror film shot entirely over video call, then proved he could go big-studio with The Boogeyman. He knows how to build dread out of nothing and how to spend a budget. Producer James Wan, the architect of Saw, Insidious and The Conjuring, backs the film through his Blumhouse and Atomic Monster banner. The screenplay comes from WGA Award winner Nathan Elston.

Savage recently told Entertainment Weekly the film contains around 50 jump scares, then immediately complicated his own count: a great scare, he argued, does not need the classic quiet-quiet-loud formula. What he promises instead is dread, set pieces and a deep paranoia where the audience can never quite tell whether they are looking at Mommy or Other Mommy, or whether any grown-up in the frame can be trusted. For a 93-minute horror film, that is a tight, mean machine.

Why it might actually get you

The trailer did something unusual. It played before The Odyssey in theaters and went properly viral, with audiences reporting genuine unease. That matters. Trailers are engineered to startle; this one reportedly left people sitting in the dark feeling wrong. The second trailer shows restraint too, holding back how the entity actually operates. In an era when marketing routinely spoils the third act, that discipline is encouraging.

There is also the Malerman factor. Incidents Around the House is told from a child’s perspective, and the novel’s power comes from the gap between what Bela understands and what the reader does. If the film keeps even half of that, it will be the rare horror movie that works as a drama too. Chastain does not do paycheck roles. She picked this one.

The scares, on paper

Savage’s recent interviews suggest a director thinking hard about craft, not just shocks. He talks about building scares without the classic quiet-quiet-loud formula, about dread as a sustained pressure rather than a series of pops. The final trailer hints at set pieces with real imagination: one sequence has the entity hunting Bela through an indoor play park, galloping down twisting slides before cornering the child in an endless ball pit. A ball pit. The most innocent place on earth, turned into a trap. That is the kind of image that lodges in your head and stays there.

The film’s best trick may be its ambiguity. Chastain herself has leaned into the question of whether Bela is seeing a monster or a darker side of her own mother. A horror film that keeps you guessing about reality for 93 minutes, led by an Oscar winner playing against herself, is exactly what October is for.

Plan your scare night

Horror this good deserves a full evening. Brave one of the 20 haunted houses in and around NYC to warm up, catch Other Mommy on October 9, and then cleanse your palate with something cheerful, like the city’s 2026 holiday tree and lights celebrations. Just remember the question. Can I go inside your heart? Answer carefully.

Prince Mario-Max Schaumburg-Lippe: Sundance 2026 Tickets Released: A Celebration of Independent Vision Last Time In Park City Utah moving to Boulder CO!

The Sundance Film Festival invites audiences to step into the future of independent cinema with its 2026 edition, promising a dynamic mix of in-person premieres, online screenings, and a heartfelt celebration of its historic roots in Utah. From exclusive passes offering first access to new works to a commemorative program honoring the festival’s legacy and the enduring vision of Robert Redford, this year’s gathering will unite filmmakers, artists, and audiences in an expansive experience designed for discovery and connection.

The festival continues to serve as a cornerstone for artistic innovation, giving both returning visitors and first-time attendees a range of ways to participate. Festivalgoers can now secure their passes or packages to ensure their place within the most anticipated events of the independent film calendar. Early access to ticket selection, expedited theater entry, and unlimited screenings are among the coveted perks available for those planning to immerse themselves in the festival’s offerings.

For Utah locals and young attendees between the ages of eighteen and twenty-five, special pricing adds an extra layer of accessibility to the experience, reflecting Sundance’s ongoing commitment to nurturing its home community and the next generation of storytellers. Beyond the screenings themselves, audiences can look forward to filmmaker Q&As, series showcases, and the lively in-person energy that has always defined the festival.

A hallmark of Sundance has long been its flexible approach to how audiences engage with film. The 2026 edition continues this tradition with options tailored for every preference. The Express Pass Second Half: In Person offers guests the chance to be among the first to enter theaters during the latter half of the festival, running from January 28 through February 1. This pass ensures priority access to screenings and unlimited in-person viewings, giving dedicated attendees an efficient and immersive way to experience the festival’s most anticipated titles.

For those seeking the freedom to curate their own journey from home, the Festival Package: Online offers ten digital tickets and early selection privileges, with full access to a curated array of films from January 29 through February 1. This package allows participants to enjoy the lineup at their own pace, ensuring that distance never diminishes engagement with the work on screen.

New in 2026, the Single Film and Short Films Bundle: Online provides a combined offer for those who wish to explore both features and shorts. The bundle comes with advance ticket selection and early access before general availability, reinforcing Sundance’s ethos of inclusivity and opportunity for discovery.

For audiences who prefer the full digital experience, the Festival Pass: Online opens doors to an on-demand library of feature films, documentaries, shorts, and episodic projects. Running from January 29 through February 1, this pass transforms any space into a personal screening room, extending the spirit of the festival beyond geographic boundaries.

Perhaps the most poignant element of the 2026 program is the Park City Legacy initiative, which pays tribute to Sundance’s origins and evolution. Taking place during the second half of the festival, from January 27 through January 30, this celebratory program revisits the milestones that shaped independent cinema. With restored presentations of landmark films including Little Miss Sunshine, House Party, Half Nelson, American Dream, Mysterious Skin, Saw, and Humpday, the series revisits the stories that once defined the indie landscape and the creators who brought them to life.

Each restoration serves as both an homage and a reminder of how far the festival and its community have come. Directors such as Jonathan Dayton, Valerie Faris, Barbara Kopple, Gregg Araki, James Wan, Reginald Hudlin, and Ryan Fleck will join the celebrations, bringing insight into the making of their seminal works. Their return marks a reunion of voices that helped shape Sundance into a global platform for authentic storytelling.

In addition to screenings, alumni artists will gather for discussions that explore the evolution of independent filmmaking, while a curated retrospective of short films will highlight the festival’s dedication to discovering emerging talent. The Park City Legacy celebration will culminate in a closing event on January 30, honoring more than four decades of cinematic innovation and expressing deep gratitude to the Utah community that has sustained and embraced Sundance since its earliest days.

Throughout its history, the Sundance Film Festival has stood as a meeting point for art, dialogue, and the exploration of new perspectives. Its combination of in-person vibrancy and digital accessibility continues to define how audiences engage with film, blending tradition with technology to expand the reach of independent voices. The 2026 edition extends this balance even further, offering every type of attendee—local or remote, seasoned or new—a way to participate in the ongoing story of independent film.

As audiences prepare to step once again into theaters or log in from home, the essence of Sundance remains clear: to champion the power of storytelling, to support the creativity of filmmakers, and to preserve the communal experience that comes from sharing a screen. Each program, from the premiere lineup to the legacy screenings, builds upon the foundation of authenticity and vision that has guided the festival for more than forty years.

The 2026 Sundance Film Festival is more than a collection of premieres and panels; it is a living tribute to the enduring spirit of independent art. By honoring the past and embracing the future, Sundance continues to provide a platform for stories that challenge, inspire, and connect audiences across borders. The invitation is open—to watch, to learn, to celebrate, and to be part of the continuing evolution of independent cinema.

* His Highness and Excellency Global Peace Ambassador Dr. PRINCE MARIO-MAX SCHAUMBURG-LIPPE is a working Royal, award winning TV- and Event-Host, Bertelsmann Randomhouse author, Public Speaker and Philanthropist ♔ Prince Mario-Max is the son of Royal Dignitaries H.H. Dr.h.c. Prince Waldemar and H.H. Dr. Princess Antonia of Schaumburg-Lippe. His Grandmother is H.R.H. Princess Feodora of Denmark. Therefore they are the Royal Danish Nachod Line of The Princes of Schaumburg-Lippe, the Founding Family of Hamburg, Lübeck and Kiel. ♔ Instagram https://www.instagram.com/princemariomax/ Website http://www.schaumburglippe.org Facebook https://www.facebook.com/zuschaumburglippe X-Twitter https://twitter.com/schaumburglippe Linkedin https://www.linkedin.com/in/prince-mario-max-schaumburg-lippe-1879978a