Tag: Ryan Gosling

Prince Mario-Max Schaumburg-Lippe: Ryan Gosling Is Marvel’s Ghost Rider in New 2028 Film

The internet asked for it for years, and at San Diego Comic-Con this summer, Kevin Feige finally said yes: Ryan Gosling is Johnny Blaze, the Ghost Rider, in Marvel Studios’ new film arriving July 28, 2028. The Spirit of Vengeance is coming to the MCU, and he’s played by the guy from the “I’m just Ken” number. Honestly? Perfect.

The Hollywood fairy tale behind it

The origin story of this casting is almost too good. Gosling and director Shawn Levy were on the set of Star Wars: Starfighter — due May 2027 — when, between takes, Gosling pitched Levy on the role. Six minutes, reportedly. Gosling has wanted to play the Rider “for a very long time”; he first confirmed discussions with Marvel back in March. Levy, fresh off Deadpool & Wolverine, said yes. Feige said yes. Hall H erupted.

There’s something lovely about a passion project that arrives this way — not through a bidding war or a leaked shortlist, but because an actor spent a decade wanting something and finally asked the right person at the right time. At 45, Gosling gets the role he dreamed about. Sometimes Hollywood actually works the way it’s supposed to.

What a Levy Ghost Rider looks like

Levy directing is the detail that elevates this from fun casting to genuinely exciting filmmaking. His Ghost Rider won’t be a standard-issue MCU origin — the ingredients suggest something stranger. Body-horror-adjacent, road-movie-flavored, a man literally burning from the inside out. Levy has a gift for finding the ache inside spectacle, and Johnny Blaze is all ache: a stunt rider who sold his soul and pays for it every night.

Jonathan Tropper is reported as the writer (not yet trade-confirmed), which would add another layer of character-first credibility. The villain, the exact version of the Rider, and the MCU connective tissue all remain unconfirmed — and we’ll leave them that way. But the direction of travel is clear: this is Marvel’s darker Phase 7 swing, the film that lets the MCU get a little dangerous.

The Levy power move

One more detail, because it tells you everything about how the town feels about this project. On September 30, Puck News’ Matthew Belloni reported that Levy turned down Tom Cruise’s aggressive pursuit to direct Days of Thunder 2 — Cruise personally courted him — to stay with Ghost Rider. When a director says no to Tom Cruise to keep his current gig, the gig is special. The studios can smell it too.

July 28, 2028

A flaming skull on a motorcycle, played by Ryan Gosling, directed by Shawn Levy, in the heart of MCU Phase 7. The fantasy casting the internet begged for turned out to be the right casting all along. Some wishes you have to be careful about. This one, you just enjoy.

Prince Mario-Max Schaumburg-Lippe: Star Wars: Starfighter — Gosling’s Dazzling New Frontier

A long time ago in a galaxy far, far away… the future finally looks like fun again. Lucasfilm’s Star Wars: Starfighter, directed by Shawn Levy and headlined by Ryan Gosling, hits theaters May 28, 2027, and each new detail lands like a small gift. This might be the bold, joyful reset the franchise has been circling for years.

Five Years After the Skywalkers

The premise is the whole pitch. Roughly five years after The Rise of Skywalker, in a corner of the timeline nobody’s mapped, with a cast of brand-new characters. No Skywalkers. No homework. Just new heroes, new worlds, and the wide-open wonder that made the 1977 original a cultural earthquake.

Gosling leads as a new protagonist, a protector to a young charge, and look at the company he’s keeping: Flynn Gray, Matt Smith, Mia Goth, Aaron Pierre, Simon Bird, Jamael Westman, Daniel Ings, Amy Adams. Range, charisma, dramatic chops. The exact toolkit a franchise rebirth requires.

The Gosling of It All

Let’s be blunt: casting Ryan Gosling as the face of Star Wars‘ next era is inspired. He’s that rare movie star both critics and crowds claim as their own. Soulful in La La Land, hilarious in Barbie, sometimes within the same scene. He brings instant credibility and genuine movie-star voltage, the kind of casting that announces an event rather than a content drop. Watching him take the controls of a starfighter is already one of the decade’s great popcorn images, and we haven’t seen a frame.

This Time the Cameras Actually Rolled

Star Wars fans have learned to treat announcements with caution. So here’s the good news: this one’s real. Production began in the UK in August 2025, with the full ensemble announced on day one of shooting. The cameras later moved to Sardinia, Italy, and filming wrapped that December. Lucasfilm released an official first image of Gosling alongside young co-star Flynn Gray, perched on a landspeeder, and it radiated exactly the mentor-and-kid warmth the story seems built around. Shawn Levy and Kathleen Kennedy are producing, which means the full creative weight of Lucasfilm sits behind it.

And that date, May 28, 2027, plants its flag in the Memorial Day corridor: the franchise’s ancestral home, the traditional launchpad of summer. Lucasfilm isn’t sneaking this out. It’s throwing a parade.

The months around it are stacked, with Ice Age: Boiling Point arriving in February and Aegon’s Conquest and Dune: Part Three looming after. But Starfighter has something none of them can claim: a galaxy the audience hasn’t already memorized.

Why New Blood Was the Only Move

Star Wars‘ recent troubles were rarely about quality. They were about weight. Every Skywalker-adjacent story shows up carrying forty years of expectation, and the fandom’s relationship with its own mythology has gotten complicated. A clean break isn’t just refreshing. It’s strategy.

New characters mean new stakes. When nobody’s protected by plot armor, every dogfight matters. When the timeline is unmapped, the galaxy gets its vastness back, that original-film feeling that wonders are hiding past the next star system. Levy gets this in his bones. His best work runs on the belief that blockbusters should feel like play. Star Wars was never homework. It was a Saturday matinee that sent you home building lightsabers out of flashlights. Returning to that spirit, with Gosling as the audience’s charismatic surrogate, might be exactly the reset the galaxy ordered.

Don’t sleep on Jonathan Tropper’s screenplay credit, either. The novelist behind This Is Where I Leave You and The Adam Project writes found families and reluctant heroes with rare warmth, precisely the emotional register Star Wars needs between space battles. The Levy-Tropper combo already proved it can mix spectacle with sincerity. Hand them starfighters and a sky full of new faces, and the ingredients are all there.

Behind the camera, the pedigree holds. Cinematographer Claudio Miranda and composer Thomas Newman bring heavyweight craft to the cockpit, and Gosling has spoken about this one like a fan who won the lottery: a lifelong love of Star Wars turned into the chance to lead its newest chapter. That kind of genuine enthusiasm reads on screen. You can’t fake the joy of a kid who grew up with the galaxy finally getting to fly in it.

Verdict

Star Wars: Starfighter is everything the franchise’s future should be: new heroes, new horizons, filmmakers who remember that wonder is the entire point. Levy’s crowd-pleasing instincts, Gosling’s star power, a galaxy of fresh faces. May 2027 can’t come soon enough. Punch it.