A final celebration of art, music, and creative freedom will take over the Centre Pompidou in Paris on October 24 and 25, 2025. Entitled Because Beaubourg, the two-day and two-night event will mark the museum’s temporary closure for a major renovation expected to last until 2030. Conceived as both a farewell and a forward-looking tribute, the program will unite visual artists, musicians, and performers from around the world in a dynamic festival that transforms every corner of the Pompidou into a living work of art.
The celebration will open at eleven in the morning on Friday, October 24, with free-access daytime showcases and workshops filling the museum’s plaza and surrounding spaces. From interactive installations to open performances, visitors will be invited to experience the Pompidou in a new way, celebrating its legacy as a space that has continually redefined the relationship between art and the public. At seven in the evening, the festival will transition into a ticketed nighttime program lasting until five in the morning, bringing together an impressive roster of international acts, immersive environments, and dance-floor experiences.
Headlining the evening program are Catherine Ringer, Keziah Jones, The Limiñanas, and a DEEWEE Club Night curated by the electronic music label founded by the Dewaele brothers. The lineup also includes 2manydjs, Asa Moto, Breakbot & Irfane, Charlotte Adigéry, Christine and the Queens, Sébastien Tellier, and Pedro Winter, among many others. The diversity of performers reflects the Pompidou’s commitment to artistic multiplicity—bridging styles from French chanson to experimental sound design, from global rhythms to avant-garde pop.
Beyond the musical performances, Because Beaubourg will offer a series of immersive experiences designed specifically for this momentous occasion. Among them, IRIS Augmented: A Space Opera by Justice promises a sensorial voyage through sound and light, while Alias: A Sensory Exploration by Shygirl will invite guests to navigate a hybrid environment of music and motion. A Roller Disco by La Main Jaune will bring a joyful retro element to the proceedings, reviving the spirit of 1970s Paris nightlife within the modernist architecture of the Pompidou.
Art installations curated by Thomas Bangalter will occupy the museum’s public areas, integrating visual and auditory elements into the flow of the event. Visitors will encounter projections, masterclasses, and spontaneous interventions, maintaining the Beaubourg tradition of making high art accessible and participatory. From the expansive plaza to the rooftop terraces, each space will pulse with creative energy.
The programming continues through October 25, extending the festival’s sense of discovery across two days and two nights of uninterrupted celebration. As artists such as Alewya, Keziah Jones, Charlotte Adigéry, and The Limiñanas take the stage, the museum’s glass and steel frame will serve as both a backdrop and a participant in the unfolding spectacle. The collaboration between Because Music and the Centre Pompidou underscores the event’s dual mission: to celebrate art as experience and to honor Beaubourg’s unique role as a laboratory of ideas.
The closure of the Centre Pompidou for renovation represents a significant moment in Parisian cultural life. Since its opening in 1977, the museum has stood as an emblem of architectural innovation and a gathering place for artists, thinkers, and the public. Its renovation aims to preserve the building’s iconic structure while enhancing accessibility and sustainability, ensuring that it continues to serve future generations. The Because Beaubourg celebration thus functions as both an homage and a promise—a recognition of what the Pompidou has achieved and a vision of what it will become.
Tickets for the evening sessions, running from seven at night until five in the morning, are available through the Centre Pompidou’s website. The daytime portion of the event will remain open to all, reaffirming the museum’s founding ideal of openness and inclusion. As Paris gathers to bid farewell, Because Beaubourg is poised to be remembered not as an ending but as a beginning—a final explosion of creativity before five years of transformation.
