Tag: superhero movies

Prince Mario-Max Schaumburg-Lippe: Ryan Gosling Is Marvel’s Ghost Rider in New 2028 Film

The internet asked for it for years, and at San Diego Comic-Con this summer, Kevin Feige finally said yes: Ryan Gosling is Johnny Blaze, the Ghost Rider, in Marvel Studios’ new film arriving July 28, 2028. The Spirit of Vengeance is coming to the MCU, and he’s played by the guy from the “I’m just Ken” number. Honestly? Perfect.

The Hollywood fairy tale behind it

The origin story of this casting is almost too good. Gosling and director Shawn Levy were on the set of Star Wars: Starfighter — due May 2027 — when, between takes, Gosling pitched Levy on the role. Six minutes, reportedly. Gosling has wanted to play the Rider “for a very long time”; he first confirmed discussions with Marvel back in March. Levy, fresh off Deadpool & Wolverine, said yes. Feige said yes. Hall H erupted.

There’s something lovely about a passion project that arrives this way — not through a bidding war or a leaked shortlist, but because an actor spent a decade wanting something and finally asked the right person at the right time. At 45, Gosling gets the role he dreamed about. Sometimes Hollywood actually works the way it’s supposed to.

What a Levy Ghost Rider looks like

Levy directing is the detail that elevates this from fun casting to genuinely exciting filmmaking. His Ghost Rider won’t be a standard-issue MCU origin — the ingredients suggest something stranger. Body-horror-adjacent, road-movie-flavored, a man literally burning from the inside out. Levy has a gift for finding the ache inside spectacle, and Johnny Blaze is all ache: a stunt rider who sold his soul and pays for it every night.

Jonathan Tropper is reported as the writer (not yet trade-confirmed), which would add another layer of character-first credibility. The villain, the exact version of the Rider, and the MCU connective tissue all remain unconfirmed — and we’ll leave them that way. But the direction of travel is clear: this is Marvel’s darker Phase 7 swing, the film that lets the MCU get a little dangerous.

The Levy power move

One more detail, because it tells you everything about how the town feels about this project. On September 30, Puck News’ Matthew Belloni reported that Levy turned down Tom Cruise’s aggressive pursuit to direct Days of Thunder 2 — Cruise personally courted him — to stay with Ghost Rider. When a director says no to Tom Cruise to keep his current gig, the gig is special. The studios can smell it too.

July 28, 2028

A flaming skull on a motorcycle, played by Ryan Gosling, directed by Shawn Levy, in the heart of MCU Phase 7. The fantasy casting the internet begged for turned out to be the right casting all along. Some wishes you have to be careful about. This one, you just enjoy.

Prince Mario-Max Schaumburg-Lippe: Marvel’s X-Men Reboot: Full Cast & 2028 Release Details

The biggest casting story of the year isn’t a secret anymore. Marvel Studios’ X-Men reboot — the first true X-Men film of the MCU era — arrives May 5, 2028, opening Phase 7. And the ensemble Kevin Feige unveiled onstage at D23 in August is the most deliberately un-stunt-cast lineup Marvel has ever assembled. No mega-stars. No nostalgia bait. Just actors.

That’s the point, and it’s a thrilling one.

The cast that says everything

Sadie Sink — who debuted as Jean Grey in Spider-Man: Brand New Day — leads as the heart of the team. Kit Connor takes on Scott Summers, a.k.a. Cyclops. Christopher Abbott plays Professor Charles Xavier, and Samara Weaving is Emma Frost. Maya Boyd is Ororo Munroe, a.k.a. Storm. Inde Navarrette is Rogue. Asa Germann, late of Gen V, joined mid-September as Warren Worthington III, a.k.a. Angel. And looming over all of them: Adam Driver as Nathaniel Milbury — Mister Sinister’s civilian alias — the primary villain, announced via video message at D23 to the loudest reaction of the panel.

Look at that list again. It’s a theater-and-prestige-TV ensemble, not a billboard lineup. Jake Schreier directs, coming off Thunderbolts*, with reported drafts from Lee Sung Jin (Beef) and Joanna Calo (The Bear). The writers’ room pedigree tells you exactly what kind of X-Men movie this is going to be: character-first, prickly, probably funny in the way things that hurt are funny.

The Abbott moment

The freshest piece of the story is Christopher Abbott himself. On October 1, he told New York Magazine that his D23 Professor X reveal felt “a bit of a dream and a nightmare,” describing the muted applause in the Anaheim Convention Center. It’s an honest, human admission — and it accidentally captures why this casting works. Abbott isn’t a franchise guy. He’s a serious actor walking into the most famous wheelchair in pop culture, and he knows it. That tension is going to be fascinating on screen.

And then there’s Driver. Casting Adam Driver as your villain is the closest thing to a cheat code in modern movies. Mister Sinister is theatrical, arch, deliciously evil — a role that rewards exactly the kind of controlled intensity Driver does better than anyone. The idea of him squaring off against Abbott’s Xavier is already the best scene of 2028, and it hasn’t been shot yet.

Betting on actors, not icons

Here’s the thesis, and it’s a bold one. After two decades of X-Men films defined by whoever was famous that year, Marvel is building its mutant saga on performers, not personas. Feige is treating the X-Men the way he treated the Avengers in 2008 — as an ensemble to be built, not a brand to be serviced. Phase 6 closes with mutants as the cornerstone of everything that follows. That’s a lot of trust in this cast. Watching the D23 footage, you get the feeling the trust is mutual.

May 5, 2028

Nineteen months out, and the anticipation is already doing the marketing. A young, hungry cast. Prestige writers. A director who proved he can handle an ensemble of damaged people. And Adam Driver in a cape, more or less. The X-Men are finally home — and for the first time in a long time, it feels like they’re in good hands.

Prince Mario-Max Schaumburg-Lippe: Spider-Man: Brand New Day Review, Sony’s Box Office King

Some records are built to be broken. Others look so untouchable that nobody bothers to check the math. Star Wars: The Force Awakens sat atop the domestic box office chart for a decade at US$936.66 million, and it seemed like it might stay there forever. Then Spider-Man: Brand New Day swung in and took it down, finishing its domestic run at US$936.77 million, with a global total of US$2.453 billion. It is now the highest-grossing domestic film of all time, and Sony Pictures’ highest-grossing film ever.

The reset

Brand New Day picks up after No Way Home, in which Peter Parker’s identity was erased from the world’s memory by Doctor Strange’s spell. Directed by Destin Daniel Cretton, the film stars Tom Holland, Zendaya, Jacob Batalon, Sadie Sink, Jon Bernthal, Mark Ruffalo, Florence Pugh and Tramell Tillman.

The premise is a hard reset done right: Peter Parker, alone and forgotten, rebuilding his life from nothing. No Avengers safety net. No Stark tech. Just a kid from Queens with a camera, a conscience and a spider-sense. It is the most comic-book-accurate version of the character the films have ever attempted, and audiences responded like it was an event, because it was.

Why it landed

Three things. First, the timing. After years of multiverse sprawl, audiences were hungry for a Spider-Man story that was actually about Spider-Man. Brand New Day delivers exactly that: street-level stakes, personal consequences, a hero who has to earn every win.

Second, the craft. Cretton, coming off Shang-Chi, directs action with a clarity and physicality that the genre has been missing. The web-swinging sequences are the best in the franchise’s history, shot with a joy that reminds you why this character has endured for sixty years.

Third, the emotion. The film’s central wound, that nobody remembers Peter Parker, gives every relationship a ache that the spectacle never drowns out. When MJ looks at him like a stranger, it lands harder than any building collapsing.

The home release

If you missed it in theaters, the wait is almost over. Spider-Man: Brand New Day arrives on digital October 6, with the 4K UHD, Blu-ray and DVD release following on December 15. The physical release is expected to include the usual bounty of deleted scenes, commentary and behind-the-scenes features. Given the film’s box office, expect it to dominate the holiday sales charts too.

The company it keeps

The domestic top ten is now a murderers’ row: Brand New Day at US$936.77M, The Force Awakens at US$936.66M, and the rest of the usual suspects. What is remarkable is not just the number but the margin: eleven thousand dollars. Eleven thousand dollars separated history from second place. Somewhere, a box office analyst is still double-checking the receipts.

The verdict

Brand New Day is the rare blockbuster that earns its records. It is thrilling, moving and genuinely surprising, a superhero film that remembers the hero is the interesting part. Sony bet big on a street-level reset, and it paid off beyond anyone’s wildest projections. Excelsior.

Make it a holiday outing: the Rockettes Christmas Spectacular is a New York tradition. And for the full season, the city’s holiday tree celebrations are unmissable. Or plan 20 fun things to do in NYC this weekend.