New York City, a global epicenter of art and culture, holds a luminous secret within its historic walls – a secret that casts a vibrant glow not only on iconic design but also on the often-overlooked contributions of women in the arts.

You have to see this exhibit!

When you hear “women’s museum” and “Tiffany lamps” in the same breath, you are undoubtedly thinking of the breathtaking and profoundly insightful exhibition at the New-York Historical Society’s Center for Women’s History. This isn’t just an display of exquisite craftsmanship; it’s a powerful narrative of unearthing hidden histories and giving credit where credit is long overdue.

For decades, the unparalleled beauty of Tiffany lamps—their intricate floral patterns, their vibrant stained glass, and their captivating interplay of light—were largely attributed solely to the genius of Louis Comfort Tiffany. He was the name on the marquee, the artistic visionary. Yet, beneath the shimmering surface of these masterpieces lay the untold stories of the women who breathed life into their designs.

Enter Clara Driscoll (1861-1944), a name that should resonate with as much brilliance as the lamps themselves. As the head of the Women’s Glass Cutting Department at Tiffany Studios, Driscoll, along with her extraordinarily talented team of female artisans—affectionately known as the “Tiffany Girls”—were the true architects of many of the most celebrated and beloved lamp designs. Thanks to meticulous historical detective work, including the discovery of personal letters and archival documents, the veil has been lifted, revealing the crucial role these women played in shaping an iconic American art form.

The New-York Historical Society’s “Gallery of Tiffany Lamps,” a magnificent centerpiece of its Center for Women’s History, is far more than just a collection. It’s a testament to the ingenuity, skill, and creative power of women in an era when their professional contributions were often marginalized or simply uncredited. This exhibition masterfully intertwines the aesthetic brilliance of the lamps with the compelling human stories behind their creation, shedding light on a pivotal period in American design and the burgeoning professional lives of women.

Stepping into the gallery is an immersive experience. The New-York Historical Society boasts one of the world’s most extensive collections of Tiffany lamps, often showcasing around 100 illuminated pieces within a dramatically lit, two-story space. The sheer volume and diversity of the designs are awe-inspiring, from delicate Wisteria to robust Dragonflies, each lamp a miniature world of color and light.

Beyond the visual feast, the exhibition invites deeper engagement. Interactive displays, such as a “Design-a-Lamp” experience, allow visitors to virtually step into the shoes of the “Tiffany Girls,” understanding the meticulous process of selecting individual pieces of glass and assembling them into breathtaking works of art. You’ll gain an appreciation for the complex techniques and the innovative use of materials that defined Tiffany Studios.

Even the gallery itself is a work of art, a stunning architectural design by the acclaimed Eva Jiřičná, featuring a magnificent glass spiral staircase that gracefully connects the two floors of the exhibit. This thoughtful design further enhances the feeling of stepping into a meticulously crafted world.

While New York City offers other notable collections of Tiffany glass, such as the Neustadt Collection at the Queens Museum, the New-York Historical Society’s approach is unique. By integrating these artistic treasures within its Center for Women’s History, the exhibition transcends a mere display of beautiful objects. It crafts a powerful and much-needed narrative, celebrating the often-unsung female talent that truly illuminated the world of Tiffany, ensuring their legacy shines as brightly as the lamps themselves.

So, on your next visit to New York, make sure to carve out time for this extraordinary exhibition. It’s an opportunity to not only marvel at some of the most iconic pieces of American design but also to witness a pivotal moment in “herstory” brought brilliantly to light.